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a picture of everlasting punishment for what human had done in human lifetime.

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Bali Roof

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Inside of Bagia (Bali Spiritual Happiness Symbol)

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Tumpang

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“Mendak Tirta” ceremony at Tamblingan is one of the procession of the Ceremony at Pura Dalem Agung Padangtegal. At this ceremony we take holy water at Lake Tamblingan – Bedugul.

Fashion models
Model dapat digunakan untuk menampilkan dan mempromosikan pakaian. Fashion modeling mungkin melibatkan model catwalk, meliputi fotografi untuk majalah, kampanye iklan, katalog, dll. Penekanan fotografi fashion adalah pakaian atau aksesoris. Fashion model dapat digunakan untuk menampilkan atau mempromosikan berbagai jenis pakaian, seperti pakaian, baju renang, dan bikini.

Supermodel
Supermodel dibayar mahal. Supermodel (biasanya perempuan) selebriti, juga dikenal sebagai gadis sampul, muncul di sampul majalah fashion, di katalog dan di fashion show.
Model pertama yang secara luas dianggap telah membuka jalan bagi apa yang akan menjadi supermodel adalah Lisa Fonssagrives. gambar nya muncul di sampul majalah fashion selama tahun 1930-an, 1940-an dan 1950-an dari Town & Country, Life and Vogue to the original Vanity Fair. Model seperti Dorian Leigh, dan Jean Shrimpton juga telah dijuluki supermodel pertama.

Glamour models
Fotografi Glamour menekankan model dan seksualitas model, bukan produk, fashion atau lingkungan. pemodelan Glamour sering berfokus pada tubuh subyek/model dan sindiran seksualitas melayani untuk meningkatkan daya tarik suatu produk. Glamour model dapat digunakan untuk kalender diproduksi secara massal, pinup dan untuk majalah pria, seperti majalah Playboy. Model glamour terkenal termasuk Pamela Anderson, Jordan, Jodie Marsh, Lucy Pinder, dan Louise Glover.

Bikini Model
Model Bikini juga biasanya diharuskan untuk jelas cocok dan dengan bentuk tubuh menarik. Bikini model biasanya dapat lebih pendek, sekitar 1,65 m sampai 1,73 m

Photo By : Adhiwus

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THE GRAND CEREMONY
TO HARMONIZE THE TEMPLE, ITS PRECINCTS,
THE VILLAGE, AS WELL AS THE UNIVERSE

KARYA AGUNG MUPUK PEDAGINGAN, PEDUDUSAN AGUNG

PURA DALEM AGUNG
DESA PAKRAMAN PADANGTEGAL

The Mupuk Pedagingan and Pedudusan Agung ceremony is meant to revitalize the temple, making it fit to receive the Supreme God, Ida Sang Hyang Widhi Wasa, in his personification as the Destroyer who destroys all things in order to recreate them again.

The significance of this special ceremony is to harmonize the three worlds of Balinese Hindu belief. These worlds are:

1. Bhur – Level of the lower beings
2. Bwah – Level of the humans
3. Swah – Level of the Gods

Although it is the village community of Desa Pakraman Padangtegal which cares for and worships at the Pura Dalem Agung Padangtegal, the ceremonies are open to all who wish to attend and who are prepared to follow the rules of dress and behavior set down by tradition (adat).

These ceremonies are of extreme importance and usually take place at least once a generation. Preparations began a year ahead with major renovation and refurbishment of the temple, all of which is financed by Desa Pakraman Padangtegal. The preparation of the offerings will begin three months ahead and involve four different hamlets: Padangtegal Kaja, Padangtegal Mekarsari, Padangtegal Kelod and Padang Kencana. These ceremonies are of great significance, not only for the people of the community involved, but for the whole world. The rituals involve adding symbols and offerings that will buried in the foundation of the temple, with the purpose of reviving and strengthening the spiritual energy emanating from the temple, and in the process harmonizing the entire universe.

This multi-faceted ceremony is being carried out to realign the world, which is currently out of balance; its axis is tilting, causing earthquakes, volcanic eruptions, wars and chaos.

The way to achieve realignment is mentioned in an old lontar palm text called Brahmawidhisastra, which derives from ancient Hindu scriptures. In Bali, the term “ceremony” or yadnya, means “asking for water”, which in this case, will ensure fertility and prosperity. It is hoped that the rituals being carried out will redress the problems faced today, and restore the earth to its proper balance. Subsequently, humans will become more humane and caring about each other and their environment.

The ritual aspects of the ceremony begin on July 2, 2010, the date determined by the Pedanda (Brahmana high priest). On this day, all materials required for the special offerings prescribed by the Pedanda, the Nuasen, will be collected and purified. In the course of the following months, all these offerings will be prepared with great care. Part of the ritual includes a procession carrying the Bagia, which is an enormous mountain-like offering, symbolizing the entire universe and all of its contents. All of the objects, creatures, elements, and features of the universe are represented in this gigantic offering. It includes, among other things, fruits, roots, metals, coins, thread, and much more. During this temple ceremony, the Bagia will be buried in a very big hole, beneath the foundations of the temple. The procession and planting of the Bagia represents the belief that everything belongs to the universe, and that ultimately everything returns to it.

Although the care of this temple and performance of its traditional rituals are the responsibility of Desa Pakraman Padangtegal, the people of other communities in the area have also contributed and supported by giving their time and skills. It is a shared effort, and it is important that everything is carried out correctly.

The ceremony is, of, and for, the Gods.  It lasts for eleven days, focusing on appeasing the Gods of the lakes, mountains and sea, to whom sacrifices will be made. The animals sacrificed will be reincarnated ot a higher level existence, closer to Nirwana. The western concepts of life and death play no part in these ceremonies. Understanding a belief in the infinity and continuity of life through the process of reincarnation should alleviate some of the unease that westerners feel when confronted with such practices. Try to see things from a Balinese perspective, not from your own cultural point of view. This is a Balinese ceremony. Please judge and experience it accordingly.

The timetable which follows sets out the ceremonial program and performances related to it. Please note that certain rituals are not open to visitors, and these have been marked accordingly in the program. The performances that take place during rituals are known as wali and are sacred. They are not intended as entertainment for spectators but are solemn rituals for Gods. However, there are many other performances related to the ceremony, these are known as balih-balihan and are high quality entertainment for all to enjoy.

Source : http://www.monkeyforestubud.com/grandceremony.html

View the Gallery : http://adhiwus.com/photos/karya-agung-padangtegal/

Hunting Subuh di Kintamani

Another side of Kintamani

This umbrella mostly use for Ceremony in Bali. Usually near Balinese temple.

Mecaru – in Bali

Mecaru is the ceremony intended to deal with the balance between man and nature and Mecaru is the act of giving offering that are made especially to please Bhuta (bad spirits in nature) and Spirits. Mecaru divided into three level Low , Medium, and High, the levels are differentiated by the types of offerings and sacrifice that are made. For the offerings, shrimp paste, ginger, onion, raw meat, arak, or brem their smell are strong, their taste are stronger.

For low level of mecaru, there is no animal sacrifice needed, simple offerings just like ginger, rice, and onions led by the head of the household or family elder. A little bit complicated will be in the medium level, there are will be several rice seeds with variety colors such as white, yellow, black and red. A sacrifice of chicken or duck is made and the blood of the chicken is dropped on the ground.  Colour of the chicken is significant, Balinese can not use all the chicken. Medium level of mecaru have to be led by priest or holy person. Next is high level of mecaru, it is a big ceremony, includes hundreds offerings, four legs animal and two legs animal, it could consist of buffalo, cow, pig or even young dog. The Balinese Hindu believes that an animal used as sacrifice will be elevated in reincarnation because it has been used in ceremony and its pure. The leader of high level mecaru must be a pedanda, the highest level person in Bali, and pedanda is the highest caste in Bali and spending many years preparing for their religious responsibility.

Mecaru is hold for a special reason, such as when a new house is built, mecaru is the first step before we stay in the new house, or in case there is accident in the road, mecaru take places the site of accident. For Balinese every morning after cooking usually they are make small offering from rice, as a daily offering beside canang. Balinese wants to keep balance and harmony, if I not bother you, you will not bother us.

Article source :  http://www.thinqbali.com/mecaru-in-bali/

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The World is on your Hand

i hope you can keep this earth beautiful and peaceful forever my child…

Love the People, Love this earth, Love for Peace…

Portrait of  Bali Art Festival 2010 Opening Ceremony

Aku Disini Menunggu Mu

Kaki sang Model

Activity     :     Opening Ceremony Of The 32nd Bali Arts Festival 2010 Collosal Balinese mime dance drama ”Anggada Duta” by Bali Province Goverment Productions Indonesian Art Insitute Denpasar
Time     :     19.30 – 22.00
Place     :     Open Stage Ardha Candra

Sunday, June 13 2010
Activity     :     Flower arranging and Food competition
Time     :     10.00 – 12.00
Place     :     First floor of Ksirarnawa

Activity     :     Gender Wayang Ensemble from Banjar Batan Nyuh Marga .Tabanan Regency
Time     :     10.00 – 11.30
Place     :     Angsoka stage

Activity     :     Classical dance by Pasemetonan Pragina Mas Taman Budaya Denpasar
Time     :     14.00 – 16.00
Place     :     Wantilan Hall

Activity     :     Inovative Choir presented by Government of Gorontalo Province
Time     :     18.30 – 20.00
Place     :     Ksirarnawa Hall

Activity     :     Performance of West Jakarta
Time     :     20.00 – 22.00
Place     :     Wantilan Hall

Activity     :     Calonarang Dance by Manik Swari dance studio, Ireng Banjar Buda Batuyang village Gianyar Regency
Time     :     20.00 – 22.00
Place     :     Ayodya Stage

Monday, June 14 2010
Activity     :     Classical dance by Sekaa Gong Kumara Eka Cita Br. Lepang Kec. Banjarangkan Klungkung regency.
Time     :     10.00 – 12.00
Place     :     Ayodya stage

Activity     :     Performance of Cultural and Tourism Office of Kepulauan Riau Province
Time     :     10.00 – 12.00
Place     :     Wantilan Hall

Activity     :     Performance of Representative Office of West Kalimantan in Jakarta
Time     :     19.00 – 21.00
Place     :     Wantilan Hall

Activity     :     New Angklung creation exhibition featuring Sekaa Gong Widya Asrama Br. Kelaci Marga Tabanan Regency and Sekaa Angklung Werdhi Budaya, Ambengan village Buleleng Regency
Time     :     20.00 – 22.00
Place     :     Open Stage ISI amphitheatre

Activity     :     Satrio Garudho Pinilih mime dance drama presented by Malang presented by Malang Dance
Time     :     20.00 – 22.00
Place     :     Ksirarnawa open stage

Tuesday, June 15 2010
Activity     :     Caruk Classical music presented by Sanggar Raka Rai Bangli regency
Time     :     10.00 – 12.00
Place     :     Angsoka Stage

Activity     :     Performance of Kakanna Balanipa Theatre Comunity, Mandar West Sulawesi
Time     :     17.00 – 18.30
Place     :     Ayodya Stage

Activity     :     Wayang Kulit shadow puppet exhibition featuring Dalang I Made Juanda from Sanggar Suara Murti Sukawati Gianyar Regency
Time     :     19.30 – 21.00
Place     :     Wantilan Stage

Activity     :     New Angklung creation exhibition featuring Sekaa Angklung desa adat Pangsan, Petang Badung Regency with Sanggar Palgunadi, Pengosekan, Ubud, Gianyar Regency
Time     :     20.00 – 22.00
Place     :     Open Stage ISI amphitheatre

Activity     :     Women Gong Kebyar exhibition featuring Sekaa gong wanita Br.Kelod,Desa adat Ungasan, south Kuta Badung Regency and Dharma Suci, Kelurahan Padang Sambian, Denpasar
Time     :     20.00 – 23.00
Place     :     Open Stage Ardha Candra

Wednesday, June 16 2010
Activity     :     Selonding Classical music presented by Sekaa Selonding Br.Intaran, Pejeng, Tampaksiring Gianyar Regency
Time     :     10.00 – 12.00
Place     :     Angsoka Stage

Activity     :     Prembon masked dance exhibition featuring Sekaa Topeng Bujangga Puspa Dukuh village Karangasem Regency
Time     :     19.00 – 21.00
Place     :     Wantilan Hall

Activity     :     Arja dance drama by Sekaa Arja Siwa Ratri Br. Biya Desa Keramas Blahbatuh Gianyar Regency
Time     :     19.00 – 21.00
Place     :     Ayodya Stage

Activity     :     Teruna Teruni Bali Festival
Time     :     18.00 – 19.30
Place     :     Ksirarnawa open stage

Activity     :     New Angklung creation exhibition featuring Sekaa Angklung Prabu Ningrat Sangkan Gunung village Kec Sidemen Karangasem Regency and Sekaa Angklung Mekar Sari Br. Pande Kec. Klungkung, Klungkung Regency
Time     :     20.00 – 22.00
Place     :     Open stage ISI amphitheatre

Activity     :     Children Gong Kebyar exhibition featuring Sekaa Gong Kumara Asti, Desa Pekraman Bangunliman, Buruan Blahbatuh, Gianyar Regency and Sekaa Gong Anak-anak Sadguna Kumara, Banjar Lebah, Sumerta Kaja, Denpasar
Time     :     20.00 – 23.00
Place     :     Open stage Ardha Candra

Thursday, June 17 2010
Activity     :     Gandrung music presented by Sekaa Ambek Suci Pura Majapahit Br. Monang-maning Denpasar
Time     :     10.00 – 12.00
Place     :     Angsoka Stage

Activity     :     Innovative children Wayang Wong masked dance drama by Tri Pusaka Sakti Foundation ,Br Pekandelan Batuan Gianyar Regency
Time     :     17.00 – 18.30
Place     :     Ayodya Stage

Activity     :     Performance of Virpi Pahkinen Dance Company Stockholm, Sweden
Time     :     19.30 – 20.30
Place     :     Ksirarnawa Hall

Activity     :     Men Gong Kebyar exhibition featuring Sekaa Gong “Kanti budaya” desa adat Jimbaran,Kecamatan Kuta Selatan Badung Regency and Sanggar Miniartis Amlapura Jl. Untung Surapati Amlapura Karangasem Regency
Time     :     20.00 – 23.00
Place     :     Open Stage Ardha Candra

Friday, June 18 2010
Activity     :     Selonding Classical music by Sekaa Selonding Sudamala, Desa Tangkas Kec. Klungkung Klungkung regency
Time     :     10.00 – 12.00
Place     :     Angsoka Stage

Activity     :     Contemporary dance by Sanggar Cek Gen Tegalalang Gianyar Regency
Time     :     18.00 – 19.30
Place     :     Ksirarnawa Hall

Activity     :     Performance of Cultural and Tourism Office, Riau Province
Time     :     19.30 – 21.00
Place     :     Angsoka Stage

Activity     :     Arja Geguntangan dance drama by Sanggar Seni Dot Bagus Dot Jegeg Desa Petiga Kec. Marga Tabanan Regency
Time     :     20.00 – 23.00
Place     :     Ayodya stage

Saturday, June 19 2010
Activity     :     Gambang Classical music by Sekaa Mekar Sari Desa Tumbak Bayuh Kecamatan Mengwi Badung Regency
Time     :     10.00 – 11.30
Place     :     Angsoka Stage

Activity     :     Pesantian from Sanggar Giri Lango Banjar Bukit Batu Samplangan Gianyar Regency
Time     :     10.00 – 12.00
Place     :     Wantilan Hall

Activity     :     Dances from Sanggar Sawung Galih , Magelang city
Time     :     18.30 – 20.00
Place     :     Ratna Kanda stage

Activity     :     Prembon masked dance exhibition featuring Sekaa prembon himpunan seniman Kabupaten Badung (HSKB)
Time     :     19.00 – 21.00
Place     :     Wantilan Hall

Activity     :     New Angklung creation exhibition featuring Jaya Kanti, Banjar Cengkilung, Peguyangan Kangin, Denpasar Barat Denpasar City and Sekaa Angklung Darma Suara, Kaliakah Village,Kec.Negara Jembrana Regency
Time     :     20.00 – 22.00
Place     :     Open stage ISI amphitheater

Activity     :     Documentary Film Show
Time     :     20.00 – 22.00
Place     :     ISI Denpasar

Activity     :     Poetry –music collaboration by Puisi-Musik Group Band Denpasar
Time     :     20.00 – 22.00
Place     :     Ksirarnawa Hall

Activity     :     Penyalonarangan Classical dance drama ” Kali Yuga Nemu Kerta Sanggar Gita Bandana Praja Denpasar
Time     :     20.00 – 22.00
Place     :     Angsoka Stage

Activity     :     New Cak Creation from Sanggar Paripurna Bona Regency Gianyar
Time     :     20.00 – 22.00
Place     :     Ayodya Stage

Sunday, June 20 2010
Activity     :     Panca masked dance drama by Sekaa Topeng Panca Kanda Eka Swara Murti Br. Anggabaya Penatih Denpasar
Time     :     10.00 – 12.00
Place     :     Angsoka stage

Activity     :     Leko dance from Banjar Parekan Sibang Gede Kec. Abian Semal Badung Regency
Time     :     10.00 – 12.00
Place     :     Wantilan Hall

Activity     :     Children and Adult Fashion Show
Time     :     10.00 – 12.00
Place     :     Ksirarnawa Hall

Activity     :     Janger dance from Sekaa Janger Br.Palak,Sukawati, Gianyar Regency
Time     :     17.00 – 18.30
Place     :     Ayodya Stage

Activity     :     Parade Drama Gong oleh Sekaa Drama Gong Kundi Manik Desa Buana Giri Kec. Bebandem Kabupaten Karangasem Drama Gong exhibition featuring Sekaa Drama Gong Kundi Manik Desa Buana Giri Kec. Bebandem Karangasem Regency
Time     :     20.00 – 22.00
Place     :     Ksirarnawa Hall

Activity     :     Arja Muwani dance drama by Sekaa Arja Mwani Printing Mas Denpasar
Time     :     20.00 – 22.00
Place     :     Angsoka stage

Activity     :     Balinese modern theatre from Sanggar Teater Bali Ambengan Buleleng Regency
Time     :     20.00 – 22.00
Place     :     Ayodya stage

Monday, June 21 2010
Activity     :     Pesantian from Indonesia Handicap Organization (PERTUNI) Jln Seririt Singaraja Buleleng Regency
Time     :     10.00 – 22.00
Place     :     Ayodya Stage

Activity     :     Award to Old Artists
Time     :     19.30 – 21.30
Place     :     Ksirarnawa Hall

Activity     :     Tradition Wayang Kulit puppet exhibition featuring Sekaa Wayang Citra Rukmi Desa Buda Keling Kec. Bebandem Karangasem
Time     :     19.30 – 21.00
Place     :     Wantilan Hall

Activity     :     Baleganjur dance drama featuring representative of Denpasar City, Gianyar Regency and Badung Regency
Time     :     20.00 – 22.00
Place     :     Open stage ISI amphitheater

Activity     :     Prembon creation dance presented by Sanggar Alit Sundari Batubulan Kangin Gianyar
Time     :     20.00 – 22.00
Place     :     Angsoka stage

Activity     :     Calonarang dance drama presented by Sanggar Tari Gita Lestari Petak Gianyar regency
Time     :     20.00 – 22.00
Place     :     Ayodya Stage

Tuesday, June 22 2010
Activity     :     Performance of Cultural and Tourism Office of East Nusa Tenggara Province
Time     :     10.00 – 12.00
Place     :     Ayodya Stage

Activity     :     Music and Dance from Sanggar Yenira Denpasar
Time     :     10.00 – 12.00
Place     :     Angsoka Stage

Activity     :     Prembon masked dance exhibition featuring Sekaa Topeng Smara Buana Br. Losan Desa Takmung Klungkung Regency
Time     :     19.00 – 21.00
Place     :     Wantilan Hall

Activity     :     Drama Gong exhibition featuring Sekaa Drama Langlang Budaya Tegalalang Gianyar Regency
Time     :     20.00 – 22.00
Place     :     Ksirarnawa Hall

Activity     :     Balinese Song exhibition featuring representative of Klungkung and Karangasem Regency
Time     :     20.00 – 23.00
Place     :     Open stage ardha candra

Wednesday, June 23 2010
Activity     :     Betawi masked dance, None Tugu dance and Silat Beksi presented by Suku Dinas Kebudayaan North Jakarta
Time     :     10.00 – 12.00
Place     :     Wantilan

Activity     :     Contemporary dance by HSB Bangli Regency
Time     :     17.00 – 19.00
Place     :     Ksirarnawa Hall

Activity     :     Prembon masked dance exhibition featuring Sanggar Yama Sari, Peliatan, Ubud, Gianyar Regency
Time     :     19.00 – 21.00
Place     :     Wantilan

Activity     :     Calonarang dance presented by Seni Werdhi Sanggita Br. Samsam Kerambitan Tabanan Regency
Time     :     20.00 – 23.00
Place     :     Ayodya stage

Activity     :     Balinese Song exhibition featuring representative of Jembrana, Buleleng and Gianyar Regency
Time     :     20.00 – 23.00
Place     :     Open stage Ardha Candra

Thursday, June 24 2010
Activity     :     Performance of Cultural and Tourism Office o Bukit Tinggi City
Time     :     10.00 – 12.00
Place     :     Ayodya Stage

Activity     :     Arja dance drama “ Cecupu Manik Windusara” by Sekaa Arja Gitanjali Mengwitani Kecamatan Mengwi Badung
Time     :     17.00 – 19.00
Place     :     Ksirarnawa Hall

Activity     :     Parade Topeng Prembon oleh Sanggar Seni Santhi Budaya, Singaraja Kabupaten Buleleng
Prembon masked dance exhibition featuring Sanggar Seni Santhi Budaya, Singaraja Buleleng Regency

Time     :     19.00 – 21.00
Place     :     Wantilan Stage

Activity     :     Balinese Song exhibition featuring representative of Tabanan , Badung Regency and Denpasar City
Time     :     20.00 – 23.00
Place     :     Open stage Ardha Candra

Friday, June 25 2010
Activity     :     Classical music and dance presented by Sanggar Mekar Bhuana Jl. Penyaringan No. 42, Br. Penyaringan Sanur
Time     :     10.00 – 12.00
Place     :     Ayodya Stage

Activity     :     Clasical Arja dance drama presented by Sanggar puri Saraswati Singapadu
Time     :     19.00 – 21.00
Place     :     Ratna Kanda Stage

Activity     :     Prembon masked dance exhibition featuring Sekaa Prembon Pesona Budaya Bangli,Bangli Regency
Time     :     19.00 – 21.00
Place     :     Wantilan Stage

Activity     :     Modern Puppet Show by I Wayan Mardika Bhuwana S.Sn from Sanggar Wayang Kulit Gita Mahardika Br. Babakan Sukawati Gianyar Regency
Time     :     20.00 – 22.00
Place     :     Ksirarnawa Hall

Saturday, June 26 2010
Activity     :     Hudoq Suku Dayak Dance presented by arts Council of Balik Papan (DKB)
Time     :     10.00 – 12.00
Place     :     Ratna Kanda Stage

Activity     :     Gambuh Classical Dance by Sekaa Gambuh, Desa Pacung, Tejakula Buleleng Regency
Time     :     10.00 – 12.00
Place     :     Ayodya Stage

Activity     :     Joged Bungbung Dance presented by Br. Begawan Pedungan South Denpasar, Denpasar City
Time     :     17.00 – 18.30
Place     :     Ayodya Stage

Activity     :     Etnict Fusion Music by Abi Group Denpasar
Time     :     19.00 – 20.00
Place     :     Ksirarnawa Hall

Activity     :     Shadow Puppet presented by Banjar Padang Sambu, West Denpasar, Denpasar City
Time     :     19.00 – 21.00
Place     :     Wantilan stage

Activity     :     Documentary Film Show
Time     :     20.00 – 22.00
Place     :     ISI Denpasar

Activity     :     Final of The Bali Best Model Competition
Time     :     20.00 – 22.00
Place     :     Open stage Ardha Candra

Sunday, June 27 2010
Activity     :     Ngelawang Procession exhibition featuring representative of Klungkung, Gianyar, Bangli and Tabanan Regency
Time     :     10.00 – 12.00
Place     :     Arts Center Area

Activity     :     Classical dance presented by Denpasar City
Time     :     10.00 – 12.00
Place     :     Wantilan Stage

Activity     :     Joged Bumbung presented by Sanggar Tari Dharma Santhi Bila Tua Village Kubu tambahan Buleleng Regency
Time     :     10.00 – 12.00
Place     :     Ayodya Stage

Activity     :     Electric puppet show by Sidhakarnoyako Group, Tokyo Japan
Time     :     19.30 – 21.30
Place     :     Ayodya Stage

Activity     :     Inovation Shadow puppet by Dalang I Ketut Kodi SSP.M.Si
Time     :     20.00- 22.00
Place     :     Wantilan Stage

Activity     :     Drama Gong exhibition featuring Himpunan Seniman Kabupaten Badung (HSKB)
Time     :     20.00 – 22.00
Place     :     Ksirarnawa Hall

Activity     :     Collaboration music show by Progressive Jazz Gamelan Fusion “Penggak Men Mersi” Puri Kesiman Denpasar
Time     :     20.00 – 22.00
Place     :     Open Stage Ardha Candra

Monday, June 28 2010
Activity     :     Classical Arja dance drama by Sekaa Kertya Kencana Budaya Buduk Kediri Tabanan Regency
Time     :     10.00 – 12.00
Place     :     Angsoka Stage

Activity     :     Contemporary dance presented by Collaboration of dance studio Samer Galang, Dauhwaru, Kec.Jembrana. Jembrana Ragency
Time     :     17.00 – 19.00
Place     :     Ksirarnawa Hall

Activity     :     Tradition Puppet exhibition featuring Sanggar Kuta Kumara Agung Kuta Badung Regency
Time     :     19.30 – 21.00
Place     :     Wantilan Stage

Activity     :     Arja dance drama entittle ”Roro Mendut” by RRI Denpasar
Time     :     20.00 – 22.00
Place     :     Ayodya Stage

Activity     :     Women Gong Kebyar exhibition featuring Sekaa Gong Wanita Ardana Kusuma Kel.Tegalcakring, Kec. Mendoyo Kabupaten Jembrana and Sanggar Cudamani Pengosekan Ubud Gianyar
Time     :     20.00 – 23.00
Place     :     Open Stage Ardha Candra

Tuesday, June 29 2010
Activity     :     Literature recitation competition
Time     :     10.00
Place     :     Angsoka, Ayodya, Ratna Kanda, Wantilan, Ksirarnawa

Activity     :     Janger dance presented by Sanggar Citta Usadi, Mengwi Badung Regency
Time     :     19.30 – 21.00
Place     :     Wantilan Stage

Activity     :     Performance of Indian Cultural Centre Bali
Time     :     19.30 – 21.00
Place     :     Ksirarnawa Hall

Activity     :     Children Gong Kebyar exhibition featuring Sekaa Gong Kebyar Anak-anak Manik Anyar br. Umanyar Desa Ababi Kec. Abang Karangasem Regency and Sanggar Seni Kumara Widya Suara, Kel.Tegalcangkring,Kec. Mendoyo Jembrana Regency
Time     :     20.00 – 23.00
Place     :     Open stage Ardha Candra

Wednesday, June 30 2010
Activity     :     Tari tradisi suku Dayak Pedalaman dengan judul ”Corita Nya Muntuh Mula” Dinas Kebudayaan dan Pariwisata Kabupaten Sanggau Kalimantan Barat Dayak Pedalaman tradition dance enacting ”Corita Nya Muntuh Mula” presented by Cultural and Tourism Office of Sanggau Regency , West Kalimantan
Time     :     10.00 – 12.00
Place     :     Ayodya Stage

Activity     :     Taman Penasar featuring Handicap Arts Studio “Rwa Bineda” Denpasar
Time     :     10.00 – 12.00
Place     :     Angsoka Stage

Activity     :     Dance and Balik Papan traditional cloth Fashion Show presented by Youth ,Sport, Cultural, and Tourism Office of Balikpapan City
Time     :     18.30 – 20.00
Place     :     Ksirarnawa Hall

Activity     :     Arja Remaja Sanggar Tari Sentana Mandala Br, Belaluan desa Singapadu Tengah Gianyar Adolescent Arja dance presented by Sentana Mandala dance studio Br, Belaluan Singapadu village Gianyar
Time     :     19.00 – 21.00
Place     :     Ayodya stage

Activity     :     Puppet show exhibition featuring Sekaa Wayang Kulit Wakul Piluk Jiner, Baluk,Kec Negara Jembrana Regency
Time     :     19.30 – 21.00
Place     :     Wantilan stage

Activity     :     Men Gong Kebyar exhibition featuring Sekaa Gong Dwi Karya Budaya Br. Sanda Kec. Pupuan Tabanan Regency and Sekaa gong Murdaning Katon Jaya, Kelurahan Tonja, Denpasar Utara Denpasar City.
Time     :     20.00 – 20.00
Place     :     Open stage Ardha Candra

Thursday, July 01 2010
Activity     :     Creation dance and dance drama by Sanggar Siwer Nadi Swara Denpasar
Time     :     10.00 – 12.00
Place     :     Angsoka stage

Activity     :     Joged Bumbung dance by Sekaa Jaya Suara, Br.Pangkung Liplip, Kaliakah Village Kec. Jembrana Jembrana Regency
Time     :     17.00 – 18.30
Place     :     Ayodya Stage

Activity     :     Puppet show exhibition featuring Jro Mangku Dalang I Wayan Badra Dusun Demulih Bangli Regency
Time     :     19.30 – 21.00
Place     :     Wantilan Stage

Activity     :     Women CAK dance presented by ISI Denpasar
Time     :     19.30 – 21.00
Place     :     Ksirarnawa Hall

Activity     :     Women Gong Kebyar exhibition featuring Sekaa Gong Dharma Gita Sadu Br. Dauh Peken Tabanan Regency and Sekaa Gong Wanita Gita Kencana Br. Tengah Dawan Kec. Dawan Klungkung Regency.
Time     :     20.00 – 23.00
Place     :     Open Stage Ardha Candra

Friday, July 02 2010
Activity     :     Workshop and Discussion
Time     :     09.00
Place     :     Natya Mandala ISI Denpasar

Activity     :     Legong Gender creation with Barong Macan by Seni Puspa Kirana Foundation Br. Tangkup Kedisan Village Kec. Tegalalang Gianyar Regency
Time     :     10.00 – 12.00
Place     :     Angsoka Stage

Activity     :     Joged Bumbung dance presented by Br. Payuk Tembuku Bangli Regency
Time     :     17.00 – 18.30
Place     :     Ayodya Stage

Activity     :     Puppet exhibition featuring Dalang Gede Sugiantara, Tejakula Buleleng Regency
Time     :     19.30 – 21.00
Place     :     Wantilan Stage

Activity     :     Parade Drama Gong oleh Kabupaten Tabanan Drama Gong exhibition presented by Tabanan Regency
Time     :     20.00 – 22.00
Place     :     Ksirarnawa Hall

Activity     :     Baleganjur exhibition feturing representative of Klungkung,Jembrana, Karangasem, and Tabanan Regency
Time     :     20.00 – 22.00
Place     :     Open stage ISI Denpasar

Activity     :     Children Gong Kebyar exhibition featuring Sekaa gong anak-anak ”rare angon”SMPN2 Abiansemal Badung Regency and Sekaa Gong Alit Puspa Sari Br. Suda Kanginan Kediri Tabanan Regency
Time     :     20.00 – 23.00
Place     :     Open stage Ardha Candra

Saturday, July 03 2010
Activity     :     Handicraft competition
Time     :     10.00 – 12.00
Place     :     Wantilan Stage

Activity     :     Kendang Mebarung music presented by Jembrana Regency
Time     :     11.00 – 13.00
Place     :     Ayodya stage

Activity     :     Joged Bumbung dance by Sekaa Joged Semara Nadi Desa Tohpati Kec. Banjarangkan Klungkung Regency
Time     :     17.00 – 18.30
Place     :     Ayodya Stage

Activity     :     Prembon masked dance exhibition featuring Sekaa Gong Puspa Sari, Banjar Peken, Kelurahan Renon Denpasar
Time     :     19.00 – 21.00
Place     :     Wantilan Stage

Activity     :     Performance of Paguyuban Puspo Budoyo Tangerang
Time     :     20.00 – 22.00
Place     :     Ksirarnawa Hall

Activity     :     Documentary Film Show
Time     :     20.00 – 22.00
Place     :     ISI Denpasar

Activity     :     Creation Legong dance ” Karna Gugur” produced by GEOKS Singapadu
Time     :     20.00 – 22.00
Place     :     Angsoka stage

Sunday, July 04 2010
Activity     :     Ngelawang procession exhibition featuring representative of Jembrana, Badung, Karangasem Regency and Denpasar City
Time     :     10.00 – 12.00
Place     :     Arts Center Area

Activity     :     Creation masked dance by IHDN Denpasar Jl. Ratna Tatasan Denpasar
Time     :     10.00 – 12.30
Place     :     Ayodya Stage

Activity     :     Performance of Santa Laurensia School Serpong Tangerang Banten
Time     :     10.00 – 12.00
Place     :     Wantilan Stage

Activity     :     Contemporary dance by Sekaa Mario Bross Tunjuk Village Tabanan Regency
Time     :     17.00 – 19.00
Place     :     Ksirarnawa Hall

Activity     :     Puppet exhibition featuring Sekaa Wayang Tomblos Br. Bengkel Kediri Tabanan Regency
Time     :     19.30 – 21.00
Place     :     Wantilan stage

Activity     :     Men Gong Kebyar exhibition featuring Sekaa Gong Kebyar Traya Gita Winangun Br. Karangsari Nusa penida Klungkung and Bangli Regency
Time     :     20.00 – 22.00
Place     :     Open stage Ardha Candra

Monday, July 05 2010
Activity     :     Gambuh dance drama presented by Seni Kembang Bang. Kedisan Sebatu Tegalalang Gianyar
Time     :     10.00 – 11.30
Place     :     Angsoka Stage

Activity     :     Joged Bumbung dance by Sekaa Tunjung mekar, Sinabun Village Buleleng Regency
Time     :     19.00 – 21.00
Place     :     Ayodya Stage

Activity     :     Prembon masked dance exhibition featuring Sekaa Topeng Once Srawa, Penyaringan village, Kec.Mendoyo Jembrana Regency
Time     :     19.00 – 21.00
Place     :     Wantilan stage

Activity     :     Colaboration show perform Bhaskar’Arts theatre (India) in Singapore with Sanggar Seni Saba Sari Puri Taman Saba Blahbatuh Gianyar
Time     :     19.00 – 21.00
Place     :     Ksirarnawa Hall

Activity     :     Sekaa Gong Kebyar Wanita Gurnita Semara Kunti Desa Padangbai Kec. Manggis Karangasem Regency Women Gong Kebyar
Time     :     20.00 – 23.00
Place     :     Open Stage Ardha Candra

Tuesday, July 06 2010
Activity     :     Genjek show perform Kadong Iseng from West Sraya Village,Karangasem Regency
Time     :     10.00 – 12.00
Place     :     Angsoka Stage

Activity     :     Creation dance and contemporary tabuh presented by Ceraken Radical Tradition Music Studio Batuyang Village Gianyar Regency
Time     :     17.00 – 19.00
Place     :     Ayodya stage

Activity     :     Prembon masked dance exhibition featuring Sekaa Topeng Kalangen Tanah bang West Selemadeg Tabanan Regency
Time     :     19.00 – 21.00
Place     :     Wantilan stage

Activity     :     Karawitan Music featuring Gamelan Madu Sari group Of Vancouver Canada
Time     :     19.00 – 21.00
Place     :     Ksirarnawa Hall

Activity     :     Children Gong Kebyar exhibition featuring Sekaa Gong Putra Samanjaya Jumpai Village Klungkung Regency and SMP Dwi Jendra Denpasar
Time     :     20.00 – 23.00
Place     :     Open stage Archa Candra

Wednesday, July 07 2010
Activity     :     Children Semar Pegulingan dance and tabuh presented by Sanggar Citarum Jl. Tukad Citarum No. 35 Denpasar
Time     :     10.00 – 12.00
Place     :     Angsoka Stage

Activity     :     Prembon masked dance exhibition featuring Sekaa Topeng Smara Buana Br. Losan Takmung Village Klungkung Regency
Time     :     19.00 – 21.00
Place     :     Wantilan Stage

Activity     :     Funny Prembon dance drama by Gamelan Cendana Batubulan Gianyar
Time     :     19.00 – 21.00
Place     :     Ayodya Stage

Activity     :     Jazz Fusion by Balawan with Batuan Etnik Fusion
Time     :     20.00 – 22.00
Place     :     Ksirarnawa Hall

Activity     :     Men Gong Kebyar exhibition featuring Sanggar Seni Dharma Suara, Br.Delod Peken, Kreramas, Blahbatuh Gianyar Regency and Sekaa Gong Sanggar Triptaka Buleleng Regency
Time     :     20.00 – 23.00
Place     :     Open Stage Ardha Candra

Thursday, July 08 2010
Activity     :     Clasical Wayang wong dance drama presented by Sekaa Wayang Wong Dewa Kosala Rakta Telepud Village Tegalalang Gianyar Regency
Time     :     10.00 – 12.00
Place     :     Ayodya Stage

Activity     :     Performance of Art Contemporain – Instalation Prancis
Time     :     10.00 – 12.00
Place     :     Ayodya Stage

Activity     :     Contemporary dance by Sanggar Seni Tri Datu, Anturan Village Buleleng Regency
Time     :     16.00
Place     :     Open Stage Ksirarnawa

Activity     :     Creation of Jegog Music by Sekar Jaya Group California Amerika
Time     :     19.00 – 20.30
Place     :     Wantilan Hall

Activity     :     Documentary Film Show
Time     :     20.00 – 22.00
Place     :     ISI Denpasar

Activity     :     Mime dance drama “Bima Angkus Prana” by Sekaa Kesenian Lango Murti Br. Mukti Desa Singapadu Gianyar
Time     :     19.00 – 21.00
Place     :     Ayodya stage

Activity     :     Men Gong Kebyar exhibition featuring Sanggar Gita Santhi, Kel.Dauh Waru, Kec.Jembrana ,Jembrana Regency and accompanied by Dharma Swara Group New York Amerika.
Time     :     20.00 – 23.00
Place     :     Open stage Ardha Candra

Friday, July 09 2010
Activity     :     Enacted Creation janger dance by Sanggar Pelangi Budaya Nusantara Sesetan Kota Denpasar
Time     :     10.00 – 12.00
Place     :     Wantilan Stage

Activity     :     Arja Sewagati arts from Br. Pengajaran Desa Brangbang Kec Negara Jembrana Regency
Time     :     10.00 – 12.00
Place     :     Ayodya Stage

Activity     :     Joged Bumbung presented by Sekaa Chandra Metu Penatahan Penebel Tabanan Regency
Time     :     16.00 – 18.00
Place     :     Ayodya Stage

Activity     :     Joint Concert featuring Cakra Dance Company Japan with Jegog Suar Agung Jembrana
Time     :     20.00
Place     :     Ksirarnawa Hall

Activity     :     Odalan Bali presented by Sanggar Seni Cudamani Pengosekan Ubud Village Gianyar Regency
Time     :     19.30 – 21.00
Place     :     Ayodya Stage

Activity     :     Creation dance presented by Sanggar Wyarihita Japan
Time     :     20.00 – 21.30
Place     :     Wantilan Stage

Saturday, July 10 2010
Activity     :     Rindik music show by Sanggar Lege Sawitra Desa Pakraman Suwug Kec. Sawan Buleleng
Time     :     10.00 – 11.30
Place     :     Angsoka Stage

Activity     :     Wayang Wong dance drama by Sekaa Wayang Wong Griya Jelantik Dlod Pasar Sanur
Time     :     10.00 – 11.30
Place     :     Ayodya Stage

Activity     :     Wayang Gambuh dance drama presented by Sanggar Seni werdhi Santana Br. Dangin Sema Tumbak Bayuh Village Mengwi Badung
Time     :     19.00 – 21.00
Place     :     Wantilan Stage

Activity     :     Closing ceremony
Colossal mime dance drama “ Kunti Yadnya” by Goverment Of Bali Province Productions SMKN 3 Sukawati
Time     :     19.30 – 23.00
Place     :     Open Stage Ardha Candra

in The End of Bali Life

…

Ngaben, or Cremation Ceremony, is the ritual performed in Bali to send the deceased to the next life. The body of the deceased will be placed as if sleeping, and the family will continue to treat the deceased as sleeping. No tears are shed, because the deceased is only temporarily not present and will reincarnate  or find his final rest in Moksha (freeing from the reincarnation and death cycle).

The proper day of the ceremony is always a matter of consulting a specialist on ceremony days. On the day of the ceremony, the body of the deceased is placed inside a coffin. This coffin is placed inside a sarcophagus resembling a buffalo (Lembu) or in a temple structure (Wadah) made of paper and wood. The buffalo or temple structure will be carried to the cremation site in a procession. The procession is not walking in a straight line. This is to confuse bad spirits and keep them away from the deceased.

The climax of Ngaben is the burning of the whole structure, together with the body of the deceased. The fire is necessary to free the spirit from the body and enable reincarnation.

Ngaben is not always immediately performed. For higher caste members it is normal to perform the ritual within 3 days. For lower caste members the deceased are buried first and later, often in a group ceremony for the whole village, cremated.

Source : http://en.wikipedia.org/wiki/Ngaben

Bikini Photo session in Bali
Model : Aleksandra Aleksandrovna

Maju terus Perempuan Bali ke tingkat Internasional…!

.

Perhentian aperture dari lensa fotografi dapat disesuaikan untuk mengontrol jumlah cahaya yang masuk ke film atau sensor gambar. Dalam kombinasi dengan variasi dari kecepatan rana, ukuran kecepatan rana akan mengatur film atau gambar tentang derajat sensor terkena cahaya. Biasanya, kecepatan rana yang tinggi akan memerlukan aperture yang lebih besar untuk memastikan pemaparan cahaya yang cukup, dan kecepatan rana yang rendah akan memerlukan aperture yang lebih kecil untuk menghindari paparan berlebihan.
perangkat yang disebut diafragma biasanya berfungsi sebagai stop aperture, dan kontrol kecepatan rana. Fungsi diafragma mirip dengan iris mata – mengontrol diameter efektif pembukaan lensa. Mengurangi ukuran aperture meningkatkan kedalaman lapangan, yang menggambarkan sejauh mana subyek berbaring dekat dari atau lebih jauh dari pesawat yang sebenarnya fokus tampaknya berada dalam fokus. Secara umum, semakin kecil aperture (angka semakin besar) jarak, semakin besar dari bidang fokus pokok mungkin tetap muncul di fokus.

Bukaan lensa biasanya ditetapkan sebagai nomor-f, rasio panjang fokus dengan diameter diafragma. lensa biasanya memiliki seperangkat “ditandai f-berhenti” bahwa jumlah-f dapat diatur ke. A f rendah-nomor menunjukkan pembukaan aperture yang lebih besar yang memungkinkan lebih banyak cahaya untuk mencapai film atau sensor gambar. Istilah fotografi “satu f-stop” mengacu pada faktor √ 2 (sekitar 1,41) perubahan f-nomor, yang pada gilirannya berhubungan dengan faktor 2 perubahan intensitas cahaya.

Prioritas bukaan adalah modus bidikan semi-otomatis yang digunakan dalam kamera. Hal ini memungkinkan fotografer untuk memilih pengaturan aperture dan memungkinkan kamera untuk menentukan kecepatan rana dan kadang-kadang sensitivitas ISO untuk eksposur yang tepat. Ini kadang-kadang disebut sebagai Auto Exposure,  Aperture Prioritas, mode A, Av mode, atau mode semi-otomatis.

Maksimum dan minimum diafragma

Spesifikasi untuk suatu lensa biasanya meliputi diafragma maksimum dan minimum, seperti misalnya f/22 – f/1.4. Dalam hal ini adalah yang terkecil f/22, atau minimal membuka aperture, dan f/1.4 adalah terluas, atau maksimum bukaan. Bukaan maksimum cenderung paling menarik, dan selalu disertakan saat menjelaskan sebuah lensa. Nilai ini juga dikenal sebagai kecepatan lensa, karena secara langsung mempengaruhi waktu pemaparan. bukaan sangat proporsional dengan akar kuadrat cahaya diterima, dan dengan demikian berbanding terbalik dengan akar kuadrat dari waktu bukaan, yang seperti aperture dari f /2 memungkinkan untuk eksposur kali seperempat yang dari f /4.

Nilai Aperture f/2.8 lebih lebar dari biasanya dikenal sebagai “cepat” lensa. Dalam lensa keadaan luar biasa dapat memiliki f-nomor di bawah ini f/1.0. Misalnya, dalam fotografi, baik arus Leica Noctilux-M 50mm ASPH dan Canon 50mm 1960′s era lensa pengintai memiliki diafragma maksimum f/0.95. lensa tersebut cenderung optik eksotis dan sangat mahal; di peluncuran, pada bulan September 2008, Leica Noctilux ritel untuk $ 11.000  lensa Profesional untuk beberapa kamera film memiliki f.-angka serendah f/0.75. film Stanley Kubrick’s Barry Lyndon telah ditembak adegan dengan bukaan relatif terbesar dalam sejarah film: f/0.7.

lensa zoom biasanya memiliki aperture maksimum (minimum f-angka) dari f/2.8 sampai f/6.3 melalui berbagai mereka. Lensa high-end akan memiliki aperture konstan, seperti f/2.8 atau f /4, yang berarti bahwa apertur relatif akan tetap sama di seluruh rentang zoom. Seorang konsumen lebih khas zoom akan memiliki aperture relatif variabel, karena lebih keras dan lebih mahal untuk menjaga diafragma sebanding dengan panjang fokus pada panjang fokus yang panjang; f/3.5 ke f/5.6 ini adalah contoh berbagai variabel aperture umum di lensa zoom konsumen.

f/32 – narrow aperture and slow shutter speed

f/5.6 – wide aperture and fast shutter speed

Source : http://en.wikipedia.org/wiki/Aperture

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Image by : http://media.wiley.com/assets/1007/41/0-7645-9802-3_0213.jpg

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Location :  Denpasar

Thanks to : Nova, Jay Ajust, Dies Jay, Adi D.

Jadi Shakti adalah ibu dewi, sumber dari semua, prinsip universal energi, kekuasaan atau kreativitas. Penyembahan Shakti sebagai energi ini adalah tujuan utama dari Tantra Yoga. Shakti tidak dapat dipisahkan dari orang yang beholds dia, Shakti-pria, prinsip maskulin atau Universal ayah. Shakti-orang disebut Brahman oleh para penulis Upanishad. Dalam tradisi Tantra ia disebut Siwa.

Permainan energi perempuan tidak mempunyai awal dan tidak ada akhir. Meskipun gelisah, energi yang bergerak melalui periode gerak bolak-balik dan istirahat, selama ketertiban didirikan kembali. Tantra percaya bahwa selama ada dunia fenomenal, adalah ibu yang Universal adalah pencipta, pemelihara dan perusak. Jadi Shakti harus disembah sebagai satu aspek yang ilahi.

Kekuatan yang memotivasi di balik ini memainkan kekal yang menciptakan dunia ilusi fenomena adalah kekuatan keinginan. Keinginan ini hadir dalam orang yang tanpa atribut, tanpa nama dan tak berbentuk aspek yang ilahi.

1 Januari – New Yaer 2010

2, Januari – Tumpek Kandang

7 Januari – Kajeng Kliwon

12 Januari – Anggara Kasih Prangbakat

14 Januari – Shiwa Ratri

15 Januari – Tilem Kepitu

22 Januari – Kajeng Kliwon

27 Januari – Budha Kliwon Ugu

29 Januari – Purnama Sasih Kawolu

Model : Violenzia Jeanette Elizabeth Wullur

Adhiwus – Bali Photography and tukangDESIGN.com

New Year 2010

Diagram membandingkan beberapa sensor umum ukuran

APS-C sensor yang digunakan dalam DSLRs paling modern memiliki area dengan luas sekitar 3,5 cm ², sedangkan 1/1.7 “dan 1/2.3″ sensor yang biasa digunakan dalam kamera kompak memiliki area 0,43 dan 0,29 cm ², masing-masing.

Untuk mendapatkan beberapa gagasan tentang apa artinya ini, di sini adalah sebuah diagram yang mewakili sebuah piksel kerapatan dari 28 MP / cm ² (kepadatan pixel Canon G9). As you can see, this density equates to 12 MP on the G9′s 1/1.7″ sensor but would be 91 MP if applied to a sensor as large as the one in a Canon 450D. Seperti yang anda lihat, kepadatan ini setara dengan 12 MP pada G9′s 1/1.7 “sensor tapi akan 91 MP jika diterapkan pada sebuah sensor lebih besar dari satu dalam sebuah Canon 450D.

Sebaliknya, jika kita melihat Canon 450D’s piksel kerapatan 3,7 MP, kita dapat melihat bahwa memberikan 12 MP pada Canon APS-C sensor tapi akan memberi hanya pada 1,6 MP 1/1.7 “sensor seperti yang di G9.

Perhitungan ini didasarkan pada jumlah piksel yang dihasilkan pada kamera resolusi asli (Effective pixels), sehingga baik untuk konvensional Bayer Foveon sensor dan tipe, salah satu photosite dianggap sama dengan satu pixel dalam gambar akhir.  Untuk Fujifilm Super CCD SR teknologi, masing-masing berisi satu photosite ‘s’ dan satu ‘r’ fotodioda tetapi hanya menyumbang satu piksel untuk gambar akhir, sehingga diklasifikasikan sebagai satu piksel.

Miss World 2009

Kandidat Miss World dari Indonesia

INFORMASI PRIBADI
Nama: Kerenina HALIM
Umur: 23
Tinggi: 167
Bahasa: Indonesia, Inggris, Cina, Perancis, Spanyol & Ge
BIOGRAFI
Kerenina berasal dari Jakarta dan merupakan guru sekolah tinggi. Hobinya meliputi yoga, menggambar, memasak dan bertindak. Dia suka menyanyi dan menari, terutama balet, jazz dan salsa. Dia memiliki seekor anjing bernama Choco dan makanan kesukaannya Indonesia dan Jepang. Moto pribadinya adalah “Cara untuk menjadi bahagia adalah membuat orang lain bahagia”.

WAWANCARA
Beritahu kami tentang pekerjaan Anda / studi
Aku berada di rumah-bersekolah, dari TK sampai SMA. Kuliah saya adalah kursus online dari california. Aku mengambil jurusan dan 6 mencapai 6 diploma, yang PR, penjualan dan pemasaran, rumah ekonomi, seni pertunjukan, seni kuliner, mengajar utama. Sebelum menjadi Miss Indonesia 09 saya bekerja dengan sebuah LSM, kami memiliki banyak proyek, fokus terutama dalam memberikan pendidikan bagi anak-anak di bawah-priviledged, kami telah dibangun beberapa sekolah, juga proyek-proyek bantuan bencana, dan donationg barang ke daerah-daerah kumuh di seluruh Indonesia, memberikan seminar tentang kesehatan dan kebersihan, dan seminar untuk orang tua di eduaction dan orangtua. Saya juga mengajar di sebuah sekolah SMP, sebagai seorang konselor.
Bagaimana Anda mempersiapkan diri untuk Miss World di Afrika Selatan?
Saya punya banyak Trainning sesi, pertama adalah memfokuskan pikiran dan hati Pelatihan untuk kecantikan batin. Kemudian Trainning untuk rambut dan make up, cara merias wajah untuk sehari-hari dan malam memakai peristiwa atau panggung pertunjukan. Trainning berbicara di depan umum pidato courses.Interviews dan membuat kursus. Kepribadian karakter struktur bangunan kelas dan kursus. Komunikasi, bahasa tubuh, etiket dan tata krama Pelatihan. Gym pelatihan kebugaran, 3 kali seminggu. Dance kelas untuk pertunjukan bakat. Saya juga telah melakukan banyak on-akan proyek-proyek amal yang telah didokumentasikan untuk menunjukkan kecantikan saya dengan sebuah tujuan. Kinerja panggung catwalk dan kelas, dan pelatihan berpose untuk sesi foto.
Apa rutinitas harian Anda?
Sehari-hari sangat penuh dengan kegiatan-kegiatan, dimulai dengan ibadah pagi, maka kegiatan hari terutama proyek-proyek amal, menyumbang barang, mengajar anak-anak di bawah-priviledged, mengunjungi pasien seperti anak-anak dengan polio, hernia, bibir sumbing, dll dan kemudian kelas pelatihan dan persiapan pelajaran bagi dunia rindu, dan berakhir dengan baik pelatihan senam atau menari. Malam biasanya dijadwalkan dengan acara lokal dan fungsi yang saya hadiri. Dan Saya juga bertemu dengan sejumlah diplomat dan pejabat pemerintah daerah dan menteri untuk sesi Pelatihan dan dukungan mereka untuk pergi ke Miss World.
Bagaimana pendapat Anda tentang bepergian ke Afrika Selatan?
Sangat senang! Saya telah melakukan beberapa studi tentang peristiwa terkini, sejarah dan budaya, dan aku tidak sabar untuk berada di sana:)
Unsur yang Miss World yang paling Anda menantikan?
Semuanya! Itu akan menjadi pertama kalinya saya pergi ke London dan juga Afrika Selatan, jadi saya sangat gembira tentang itu. Aku berharap bisa bertemu dengan begitu banyak orang-orang baru, terutama orang-orang penting yang telah membuat perbedaan di dunia dan belajar banyak hal dari pengalaman mereka. Looking forward ke photoshoots, pelatihan yang akan kita peroleh, perjalanan dan pengalaman baru dan membuat teman-teman baru dengan kontestan lain, dan yang paling penting menanti malam acara final.
Apakah Anda memiliki pesan kepada kontestan Miss World lainnya?
Hi, berharap bisa bertemu dengan kalian semua wanita cantik:) good luck berharap dengan semua persiapan. Sampai jumpa di Afrika Selatan, dan terus melakukan yang terbaik Anda sehari-hari untuk membuat perbedaan dalam bagian dari Dunia! Tuhan memberkati
Bagaimana menurut Anda kualitas yang Anda bawa ke youwill kompetisi?
Saya ramah alam, ramah dan kepribadian yang positif. Menular energi, dan keinginan untuk belajar dan mengalami hal-hal baru. Suka bekerja keras dan menjadi membantu, dan membuat perbedaan.
Bakat apa yang akan memisahkan engkau dari kontestan lain?
Kemampuan saya untuk beradaptasi dengan baik pada situasi apa pun, saya latar belakang dan pengalaman yang kuat dalam kegiatan amal, cinta saya bekerja dengan anak-anak, kemampuan saya untuk belajar bahasa asing dengan cepat, menyenangkan saya kepribadian dan kemampuan untuk berkomunikasi dengan baik dengan berbagai tingkat atau strata masyarakat.
Apa artinya bagi Anda untuk melakukan dengan baik di Miss World?
Ini akan menjadi prestasi luar biasa, sesuatu saya akan sangat berterima kasih dan dan sangat bahagia dan diberkati untuk diberikan kesempatan besar ini untuk terus membantu orang lain pada skala global dan membuat perbedaan. Aku menganggapnya sebagai kehormatan tinggi, suatu keberhasilan besar bahwa saya akan sangat bangga.
Apa tengara favorit Anda?
Candi Borobudur, itu adalah salah satu dari tujuh keajaiban Dunia, dan kaya akan sejarah bahasa indonesia
Apa yang satu hal yang tidak bisa hidup tanpa?
Keyakinan
Siapa yang paling Anda kagumi?
Ibu Theresa & Lady Diana.
Apa foto favorit Anda?
Sikuai Island, adalah sebuah pulau terpencil kecil yang terletak di Padang, Sumatera Barat. Menyenangkan speedboat 15 menit perjalanan dari Muara Teluk akan membawa Anda ke pulau yang indah ini. Segera setelah Anda tiba di pulau ini, Anda akan melihat putih dan pantai berpasir lunak dan lembut gelombang dengan air jernih menghias seluruh pulau.

Canon EOS-1D Mark IV

New Canon EOS-1D Mark IV

Digital SLR Camera

..

Focal Length

Dalam photography 35mm, lensa dengan panjang fokus 50mm disebut “normal” karena mereka bekerja tanpa pengurangan atau pembesaran dan membuat gambar cara kita melihat pemandangan dengan mata telanjang.

Lensa wide angle (focal length pendek) menangkap gambar lebih karena mereka memiliki picture angle yang lebih luas, sedangkan lensa tele (focal length panjang) memiliki picture angle yang lebih sempit.

Berikut adalah beberapa Focal Length :
Panjang fokus dan format khas  35mm

<20mm                       —>       Super Wide Angle
24mm – 35mm         —>       Wide Angle
50mm                         —>       Normal Lens
80mm – 300mm     —>       Tele
> 300mm                  — >     Super  Tele

"Oleh-oleh" dari Lempuyang Madya

Adhiwus Photography

Galungan dan Kuningan

Adhiwus Bali Photography & tukangDESIGN.com

Apakah anda termasuk salah satu orang tersebut…?

Broad Lighting:
Untuk membuat cahaya yang luas, pose subjek Anda untuk menunjukkan 2/3 atau 3/4 bagian pada wajah dan cahaya utama Anda langsung ke sisi wajah yang paling dekat dengan kamera. Sebuah cahaya yang luas dapat digunakan untuk menambah berat badan untuk wajah yang terlalu kurus. Tahun yang lalu, guru fotografi mengatakan kepada kami bahwa pencahayaan luas adalah gaya feminin pencahayaan. Ini adalah semacam buku aturan berpikir kita perlu menempatkan di belakang kami.

Short Lighting:
Untuk membuat cahaya pendek, pose subjek Anda untuk menunjukkan 2/3 atau 3/4 bagian pada wajah dan cahaya utama Anda langsung ke sisi wajah yang terjauh dari kamera. Cahaya pendek dapat digunakan untuk “melangsingkan” wajah yang terlalu berat. Walaupun pencahayaan pendek dianggap gaya pencahayaan maskulin, sekarang gaya ini digunakan lebih dari yang lain, ketika memotret perempuan maupun laki-laki.

Faktor kedua yang menentukan gaya pencahayaan adalah hubungan antara sudut Cahaya Utama dan sumbu hidung subjek.

pencahayaan 45 derajat atau Rembrandt Lighting:

Cahaya Utama Anda langsung ke arah wajah subjek pada sudut sekitar 45 derajat. Anda dapat menggunakan 45 derajat cahaya dari sisi lebar, atau sisi pendek dan cahaya baik wajah atau profil lengkap potret. Cahaya Utama harus ditempatkan lebih tinggi dari kepala subjek dan diarahkan ke bawah dan pada sudut sekitar 45 derajat. Salah satu ciri dari 45 derajat pencahayaan adalah segitiga cahaya dari Cahaya Utama yang ada di sisi bayangan wajah subjek. 45 derajat pencahayaan juga dikenal sebagai pencahayaan Rembrandt karena gaya pencahayaan yang terlihat di banyak lukisannya.

Kupu-kupu atau Glamour Lighting:
Istilah, “Butterfly Lighting,” berasal dari kupu-kupu khas berbentuk bayangan di bawah hidung subjek. Jika anda ingin menggunakan pencahayaan kupu-kupu Anda harus baris Cahaya Utama Anda di sepanjang hidung subjek Anda sumbu dan kemudian meningkatkan cahaya sampai Anda melihat karakteristik bayangan. Gaya pencahayaan ini juga dikenal sebagai pencahayaan glamor karena digunakan secara luas oleh fotografer potret Hollywood terkenal.Jika Anda memindahkan Cahaya Utama Anda sedikit ke kiri atau kanan, Anda akan mengubah gaya pencahayaan ke pola kupu-kupu yang dimodifikasi.

Split Lighting:
Split Lighting membagi wajah sepanjang pusat. Split Lighting mungkin adalah gaya yang paling sedikit digunakan pencahayaan potret, tapi bisa sangat efektif. Cara termudah untuk membuat pencahayaan membagi adalah menempatkan Cahaya Utama Anda seperti yang akan Anda selama 45° pencahayaan. Sambil menyaksikan patch cahaya pada sisi bayangan subjek wajah Anda, turunkan Cahaya Utama dan memindahkannya ke sisi sampai menyoroti sisi bayangan menghilang. Jika Anda ingin menambahkan aksen cahaya untuk bayangan, memindahkannya kembali hanya sedikit sampai yang sangat kecil muncul lagi sentuhan cahaya pada sisi bayangan wajahnya.

Seven Heaven's Lights

just my imagination

Picture by: Pieter Weltevrede - www.sanatansociety.com

Kali juga dikenal sebagai Kalika, adalah dewi Hindu yang terkait dengan energi yang kekal. Nama Kali berarti “hitam”, tetapi oleh orang datang etimologi berarti “kekuatan waktu (kala)”.  Ia dianggap sebagai dewi waktu dan perubahan. Meskipun kadang-kadang disajikan sebagai gelap dan kekerasan, dia awal inkarnasi sebagai sosok penghancuran masih memiliki beberapa pengaruh. Lebih kompleks kadang-kadang keyakinan Tantra memperpanjang perannya sejauh sebagai “realitas” atau Brahman. Dia juga dihormati sebagai Bhavatarini (secara harfiah “penebus dari alam semesta”). Relatif baru-baru ini sebagian besar mengandung gerakan kesalehan Kali sebagai ibu dewi murah hati.

Kali ini diwakili sebagai pendamping Dewa Siwa, pada tubuh yang dia sering terlihat berdiri. Dia dikaitkan dengan dewi Hindu lain seperti Durga, Bhadrakali, Sati, Rudrani, Parvati dan Chamunda. Dia adalah terkemuka di antara Dasa-Mahavidyas

Kali adalah Dewi yang sangat pemurah dan penuh kasih sayang,  seperti kasih seorang Ibu kepada anak-anaknya. Kali menguasai kekuatan alam semesta. Kali menghancurkan segala rintangan yang sedang kita hadapi. Mengalahkan musuh-musuh dan faktor-faktor jahat.

EF 85mm f/1.2L Mark II USM

Canon EF 85mm f/1.2L Mark II USM

—

Kategori Lensa tele menengah

Mempertahankan performa optikal yang mengesankan dan aperture besar asli Canon EF 85mm f/1.2L USM, media baru ini menggunakan lensa tele tipe Ring USM, kecepatan tinggi algoritma CPU dan dioptimalkan untuk mencapai kecepatan autofocus sekitar 1.8x lebih cepat daripada yang asli . Kecepatan tinggi dan melingkar apertur AF menciptakan depth-of-field yang membawa perhatian pada subjek dan mengaburkan latar belakang, yang ideal untuk potret dan acara pernikahan.

[Gallery not found]

Design ini cocok untuk Anak-anak Gadis yang masih ABG dari mulai SMP & SMA yang mungkin sudah ingin punya Kamar sendiri.

Design is suitable for girl from the start Junior & Senior High School who may have wanted to have his own room

デザインは自分の部屋があると思っている可能性があります開始中学校高等学校からの女の子のために適しています

Idly Design Home Office that might be built into “Ideal Office” in the house
This is the design:

Iseng-iseng Design Home Office yang mungkin bakal dibangun menjadi “Kantor Idaman” di rumah. Dan ini design nya:

mengucapkan:

Selamat Hari Raya Idul Fitri 1430H…

Selamat Idul Fitri

Mohon Maaf Lahir dan Batin

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8-9 September 2009

Upacara Mediksa/Dwijati

Bali

Flickr is almost certainly the best online photo management and sharing application in the world. Show off your favorite photos and videos to the world, securely and privately show content to your friends and family, or blog the photos and videos you take with a cameraphone.

Join My Groups calls Indonesian Flickr Club on Flickr on Flickr River

Location :
– Hard Rock Hotel and Hard Rock Cafe, Kuta – Bali

Behind the Scene of Hard Rock Memorabilia Photo Shooting

View the Portfolios…

Special Thanks to:
- My Lord and “My Brothers”

- Techno Media Solutions
— Patrick Esmonde and Kristin

- GoConvergence
— Kathryn Sutton – The Project Producer

- Hard Rock – Bali
— Daryl Marseden
— Ollie
— Wherda
— Ten
— Donnie

- The Crew:
— Tut De Darmayasa and Supasra

- Everyone who help in this Project

Bali Web Design, Graphic Design and Photography

Bali Kunoo by ~adhiwus on deviantART

Model : Agung In

Photographer : Adhiwus

Lokasi : Ubud – Bali

Penyalaan Api pertama saat Pawai Obor.

Pawai Obor

Initiated by community of Sanur through the Sanur Development Foundation, at first Sanur Village Festival is held to revive tourism sector and to attract more tourists to visit this area and the island of Bali . Famous for its tranquility Sanur is the first tourist destination in Bali and the only resort type tourist object owned by the Denpasar municipality.

Since the first celebration of the Sanur Village Festival, this event has been listed at Bali ‘s event calendar as one of the annual tourist attractions. The is set for the fourth Sanur Village Festival 12 to 16 of August 2009 at the same venue with full of fun activities in five days festivity. This year theme is “Marine Life” in line with the extension of our national program Visit Indonesia Year 2009.

Cultural activities will still dominate this festival such as traditional performances, parade, music, collaboration show, water sports and food festival as our main attraction, also not to forget our green program under water festival with its coral reef plantation. We invite everyone to participate and enjoy an unforgettable experience in the serene beauty of Sanur.

Source : http://www.gotosanur.com/

Eva by ~adhiwus on deviantART

Kerjasama antara Ubud Photography Club dan Team KKN Universitas Gajah Mada – Yogyakarta.
Kategori terbuka untuk Umum.
Pameran akan dimulai tanggal 11-18 Agustus 2009.
Tempat di Wantilan Pura Desa Padangtegal – Ubud.
Untuk info lebih lanjut silahkan hubungi :
Egi : +62 361 9646624

..

mungkin waktu keberuntungan saat nunggu sodara gw dateng.

jadi nya sebelum Meeting, sempat “disuguhkan” pemandangan yang sedap di Hotel lokasi meeting.

pas nunggu, yang tempat nunggu nya deket kolam renang, kali itu ada beberapa Bule ABG yang lagi mandi dan berjemur di pinggir kolam renang. Wah mereka sexy banget, pake bikini. Tapi ada yang kurang dari body sexy nya. Toket nya kurang besar, tapi lumayan lah dari pada ga ada yg diliatin, hehehe…. Ya emang sih pantatnya bentuknya lumayan. Hehehe….

Jagi gimanaaa gitu… wheheheheee….

Ga apa lah gw nunggu agak lama yang penting pemandangannya bagus, hehehe…

Nah waktu tanggal 21 Juli saat puncak karya nya, ada acara “Mepedanan“, yang kali itu sebenarnya agak males ikut, ya tapi akhir nya ikut juga.

Pas berebut kupon saat Pedanan itu, aku dapat 4 buah kupon yang setelah aku buka, pertama dapat nomor undian 21, undian kedua dan ke tiga dapat tulisa “Durung Polih” alias belom dapat. dan yang terakhir dapat nomor undian 12.

Nah disini ada beberapa nomor undian yang tidak ada yang mendapatkan, dan akhir nya Panitia melempar hadiah tersebut ke peserta, dan beruntunng nya nasib ku, dapat hadiah lagi satu. Jadi dari 4 kupon yang aku peroleh masih sisa satu hal yang belon aku dapat. Apakah hadiah sisa kupon yang lagi satu ini….?

Lets see….

June 2009

[Gallery not found]

[Gallery not found]

On the event also have a Drift Show

There are many sponsors for the Racer Team and the Events. Unfortunately we miss the SPG (Sales Promotion Girs). We only get the Sexy Dancer to entertain the audient.

Here are some of the Sponsors:

- Djarum Black – Toyota – Honda – Suzuki – Achiles Tire – M150 Energy Drink – Repsol – Simpati PeDe

The ceremony opened by Bali Governor Mangku Pastika

[Gallery not found]

Photo Pembukaan Pesta Kesenian Bali (PKB) 2009

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[Gallery not found]

Saat acara perang pandan tentunya akan disaksikan oleh banyak orang dari berbagai kalangan dan dari berbagai tempat baik itu di Bali maupun dari luar Bali. Termasuk disini juga ajang “Reuni para Photographer” yang berasal dari berbagai tempat baik itu Photographer Amatir sampai Professional Photographer.

Senang hati bisa berkumpul di acara Perang Pandan 2009 ini.

So..  sampai ketemu di acara Perang Pandan di Tenganan.

Maximum quality. Minimum effort.

10.0 Megapixels
A 10.0 Megapixel sensor lets you capture every scene in vivid detail – sufficient for creative cropping, or turning into poster-size prints.

A mode for every occasion
A range of 17 shooting modes – including Easy, Sunset and ISO 3200 modes – helps you get the perfect shot, even in tricky lighting conditions. My Colors photo effects, such as black and white, can be applied either in shooting or playback.

Compact and colourful
With its outstandingly slim, compact design, the PowerShot A1000 IS can be taken anywhere with ease. Its high-quality build is finished in three colours: Blue, Brown and Silver*.

Get closer
A Canon 4x optical zoom gives you a range of framing options – while using optical Image Stabilizer technology to guard your shots against the effects of camera shake, for crisp, blur-free shots.

DIGIC III and iSAPS
Canon’s DIGIC III processor provides lightning quick responses, superb image quality and advanced noise reduction for sharper, clearer images. iSAPS technology uses shooting scene data to optimise camera settings even before a shot is taken.

Face Detection Technology
Great people shots come easily with Face Detection AF/AE/FE/WB, which detects up to nine faces and adjusts focus, exposure, flash settings and white balance – for optimal results with natural-looking skin tones. Face Select & Track lets you choose and track your primary subject, so you never lose a special face in the crowd.

Auto Red Eye Correction
Remove red-eye, fast and accurately. Get automatic red-eye removal immediately after your shot is taken – or choose between manual or automatic correction in playback.

Say goodbye to blur
A combination of Canon technologies makes great, blur-free photos easy. Activated in High ISO Auto, Motion Detection Technology uses Face Detection Technology, the optical Image Stabilizer and scene information – on both scene brightness and changes between individual frames – to identify subject motion and camera-shake. ISO is also optimised for minimum blur and maximum image quality.

2.5” LCD and OVF
Frame shots on a bright 2.5” LCD screen, then share them easily with friends thanks to a wide viewing angle. Alternatively, the real-image optical viewfinder (OVF) can be used to preserve battery life.

Movie options
Shoot smooth, 30fps VGA movie clips at the touch of a button. A special Long Play option uses around half the normal memory card space.

*Some colour variations may not be available in some regions

Outstanding, clean images
A newly designed 15.1 Megapixel CMOS sensor delivers ultra-detailed, low-noise images – ideal for large-scale reproduction or creative cropping. New manufacturing processes, plus redesigned photo diodes and microlenses, extend the light gathering capabilities of the sensor – allowing more pixels to be fitted on the CMOS sensor without compromising image quality. These changes ensure improved high ISO performance and low noise. High-speed, low light shooting is enabled by ISO levels of 3200, expandable to an ultra-sensitive 12800.

The EOS Integrated Cleaning System – including the improved Self Cleaning Sensor Unit with a new fluorine coating – increases protection of image quality by helping to reduce, repel and remove unwanted dust from the sensor. Stubborn particles can be removed automatically in post-production with Dust Delete Data and Canon’s included Digital Photo Professional software.

Rapid-fire performance
Canon’s new DIGIC 4 processor is fast enough to allow up to 6.3fps continuous shooting, in bursts of up to 90 JPEGs with a UDMA card. Used with Canon’s wide area AF system, which locks onto subjects with 9 individual cross type sensors, stunning action sequences can be captured – even in low-light conditions. This makes the EOS 50D particularly suited to sports and wildlife shooting.

DIGIC 4 works with the CMOS sensor to deliver 14-bit image processing, for smooth gradation and natural-looking colours – as well as ensuring ultra-fast startup times and near-instant image review after shooting.

See everything
A new 3.0” Clear View VGA LCD provides extra-large and wide angle-of-view image review, with plenty of clarity for accurate focus checks in playback. By switching to Live View mode – which displays a real-time image on the LCD – photographers can enjoy simplified shooting from awkward angles, or connect to a PC for remote shooting. Live Mode now offers three ways to auto focus: Quick AF, Live AF, and new Face Detection Live AF, which optimizes focus based on faces detected in the frame – for fast, spontaneous portraiture.

Control and ease
The famously intuitive EOS menu system includes a new Quick Control screen, for instant access to the most commonly-changed settings. A new Creative Auto mode offers automatic focus and exposure – while still allowing creative ‘tweaks’ to settings such as background sharpness.
“For advanced amateurs and semi-professionals – or professionals looking for a powerful backup model – the EOS 50D stands alone,” said Mogens Jensen, Head of Canon Consumer Imaging, Europe. “No other camera in this price bracket offers a comparable combination of speed and image quality.”

Technologies Explained

CMOS

Canon’s CMOS technology is one of the company’s key competitive advantages, with noise reduction circuitry at each pixel site delivering virtually noise-free images. In comparison with CCD technology, the lower power consumption characteristics of Canon’s CMOS sensors also contribute to longer battery life.

Signal conversion in Canon’s CMOS sensors is handled by individual amplifiers at each pixel site. Unnecessary charge transfer operations are avoided, vastly speeding up the process of getting signal to the image processor. Noise generation is reduced, power consumption is limited and faster frame rate potential is increased.

DIGIC

Image data captured by the CMOS sensor is processed by Canon’s purpose-built DIGIC image processors before being written to the camera’s memory card. DIGIC technology uses advanced image processing algorithms to ensure precise, natural colours, accurate white balance, and advanced noise reduction. Ultra-fast processing speeds result in highly responsive camera operation and near-instant start-up times.

DIGIC chips work with a high speed DDR-SDRAM image buffer – reading, processing, compressing and writing image data fast enough to keep the buffer clear during long continuous shooting bursts. And because DIGIC integrates all key processing functions, power consumption is kept to a minimum.

EOS Integrated Cleaning System
The EOS Integrated Cleaning System combats sensor dust in three important ways: Reduce, Repel and Remove.

Canon has also developed an internal Dust Delete Data system, which can map the position of visible dust on the sensor. This can then be deleted automatically after the shoot with the latest Digital Photo Professional software.

Picture Style
Picture Style pre-sets simplify in-camera control over image qualities. Picture Style pre-sets can be likened to different film types – each one offering a different colour response. Within each selectable pre-set, photographers have control over sharpness, contrast, colour tone and saturation. The camera’s factory default configuration is set to deliver immediately-usable JPEG images without need for additional menu settings. Picture Style presets applied to a RAW image can be revised with Canon’s Digital Photo Professional software.

The six pre-sets are:

Software

Digital Photo Professional Software
Digital Photo Professional software provides high speed, high quality processing of lossless RAW images. Processing with Digital Photo Professional allows real-time display and immediate application of image adjustments, giving control over RAW image variables such as white balance, dynamic range, exposure compensation, noise reduction and colour tone – plus the ability to view Auto Focus points on an image. The Lens Aberration correction tool allows precise correction of different types of distortion caused by certain cameras. Images can be recorded in camera with sRGB or Adobe RGB colour space.

Digital Photo Professional supports sRGB, Adobe RGB, ColorMatch RGB, Apple RGB and Wide Gamut RGB colour spaces. ICC (International Colour Consortium) profiles can be attached to TIFF or JPEG images when converted from RAW. This allows faithful reproduction of colours in software applications that support ICC profiles, such as Adobe Photoshop. For improved efficiency, a set of image adjustments can be saved as a recipe and applied.

EOS Utility
The latest version of EOS Utility provides essential support for Live View remote shooting, camera configuration and image transfers. Tightly integrated with Digital Photo Professional, EOS Utility can be configured to monitor ‘hot’ folders, automatically renaming and moving incoming images to a structured file system. Users can also tag their images with EXIF data, including copyright information.

Picture Style Editor
Picture Style Editor allows users to create individual Picture Styles that fit with their personal requirements. Each Picture Style contains detailed information on how specific colours should be represented within an image. Once new Picture Styles have been created, they can be uploaded directly into the camera and applied to JPEG or RAW images. When working with RAW files in DPP, both personal Picture Styles and the 6 predetermined Picture Styles can all be adjusted.

pulang aaah….

iseng biar ada aja yg ditulis

hehehe…

Bali Photo Tour Package

Special Photography Package to capture your sweat memories in Bali while you are in Bali with your Lovely Couple, Friends, Family and with your special person.

Here with some of our Photo tour packages:

• Ubud Tour

Full Day Tour to see Interesting Location at Ubud:

- Monkey Forest Padangtegal – Ubud

- Ubud Palace

- Ubud Traditional Market

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• Mount Batur Tour

Full day tour sees the Beauty of Mount Batur.

After visiting Mount Batur, we visit the Holly Spring Water at Tampak Siring.

From Tampak Siring we go to the Goa Gajah (Elephant Cave Temple).

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• Karangasem Tour

Full day tour to:

- Goa Lawah (The Bat Cave Temple),

- Tenganan (the traditional village where the locals produce traditional hand weaving Tenganan Ikat cloth)

- and Taman Ujung (Water Palace).

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• Bedugul Tour

Full day tour to the

- Taman Ayun

- than we continue go to

- Bedugul to see the Bali Botanical Garden and Lake Beratan.

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All of The Photo packages include:

- Transportation for Maximum 3 Persons

- Petrol

- Entrance Fee

- Lunch

Contact Us for Reservation and more information

Cara membuka File Raw Camera di Adobe Photoshop CS3.

Mungkin anda dan termasuk saya sempat bertanya-tanya tentang bagaimana cara membuka file Raw di Camera Digital SLR anda entah itu Camera Nikon ataupun Camera Canon langsung melalui program Adobe Photoshop. Sekarang kita ambil contoh menggunakan program Adobe Photoshop CS3.

Hal-hal yang harus kita lakukan adalah:

1. Download Plug-In yang bernama “Adobe Camera Raw Plug-In” disini menggunakan the Adobe Camera Raw 4.4.1 Plug-In yang dapat kita Download.

2. Setelah anda men-Download “Adobe Camera Raw Plug-In”, install Plug-In tersebut dengan cara:

3. -. Exit Photoshop CS3. Apabila anda sedang membuka program Adobe Photoshop CS3.
-. Buka My Computer.
-. Double-click Local Hard Disk C:\Program Files\Common Files\Adobe\Plug-Ins\CS3\File Formats
-. Pindahkan Camera Raw.8bi plug-in ke lokasi yg lain (contohnya: bikin Folder Baru pada Desktop Computer anda atau pada tempat yang lain). Pastikan anda tetap menyimpan file ini

-. Copy Camera Raw plug-in, Camera Raw.8bi, dari tempat file dimana file itu di-download ke C:\Program Files\Common Files\Adobe\Plug-Ins\CS3\File Formats.
-. Buka Program Adobe Photoshop CS3.

4. Sekarang, anda dapat membuka file Raw menggunakan Program Adobe Photoshop CS3.

Enjoy…

Check out the comparison table, below:

	Canon EOS 400D	Canon EOS 1000D	Canon EOS 450D
Resolution	10.1 megapixels	10.1 megapixels	12.2 megapixels
Image size (max)	3,888×2,592 pixels	3,888×2,592 pixels	4,727×2,848 pixels
Sensor size	22.2×14.8mm	22.2×14.8mm	22.2×14.8mm
Image processor	DiG!C II	DiG!C III	DiG!C III
Colour depth	12-bit	12-bit	14-bit
Viewfinder coverage	95%	95%	95%
LCD screen size	2.5-inch	2.5-inch	3-inch
Live View	No	Yes	Yes
Continuous shooting speed	3fps	3fps	3.5fps
Max burst	27 shots	514 shots	53 shots
Autofocus	9 points	7 points	9 points
Spot metering	No	No	Yes
Storage type(s)	CF	SD/SDHC	SD/SDHC
Dimensions (WxHxD)	126.5×94.2x65mm	126.1×97.5×61.9mm	128.8×97.5×61.9mm
Weight	510 grams	450 grams	475 grams

Bali Photography

Main Features

D3 DNA

The D700 inherits the ‘must have’ image quality of the D3. Using the same core technologies such as the highly-sensitive 12.1 effective megapixel CMOS image sensor with large pixel pitch and gapless micro lens array that affords bright, clean files across a broad ISO range. The D700 also features the same innovative EXPEED high-speed image-processing system, 14-bit A/D conversion and 16-bit processing pipeline to provide the detail and smooth gradation necessary for outstanding print enlargement and reproduction.

FX on the move

The D700 is ideal for those seeking a perfectly-balanced DSLR on the move, without compromising durability or environmental resistance to moisture and dust. The D700 incorporates an image sensor cleaning system that uses high frequency vibrations to reduce the accumulation of dust on the image sensor surface. A responsive 5fps is possible with the compact 1500mAh EN-EL3e lithium-ion battery, with up to 8 fps possible by attaching the optional MB-D10 battery pack to use the powerful 2500mAh EN-EL4a battery if desired. This offers complete power supply integration for those already using the D3 and D300. Another first is the practical i-TTL built-in pop up flash with 24mm lens coverage, ideal for discrete flash lighting when a full size Speedlight might be too cumbersome.

Getting the shot right

Despite its attractive price tag, the D700 makes no compromises in its comprehensive feature array with a highly responsive shutter release time lag of just 40ms, the acclaimed accuracy of the 51-point MultiCAM3500 AF system, DX Crop Mode and Live View with contrast-detect AF displayed on the same high-definition 3-inch TFT monitor used on the D3 and D300. One of the most important advantages of FX format cameras is the viewfinder experience and the D700 features an outstanding solid glass pentaprism, 95% coverage and adjustable AF point LED illumination for a bright, uninterrupted view. A clever new feature is the ability to display the Virtual Horizon level indicator during Live View mode to determine camera orientation at arms length.

What NIKKORS have been waiting for

The D700 is designed for the future without ignoring the past. As Nikon celebrates the 75th anniversary of the very first NIKKOR lens, and with well over 40 million sold, intelligent image processing technologies to control peripheral illumination (Vignette) and chromatic aberration enable photographers to rediscover the creative possibilities of their existing NIKKOR F mount lenses. For newcomers, the ever-expanding Nikon Total Imaging System provides lenses, Speedlights, Software and accessories for every photographic challenge both now and in the future

The first thing that will amaze photographers about the D90 is its stunning image quality, which takes its inspiration from Nikon’s flagship DX-format digital SLR, the D300. The D90’s image sensor and 12.3 effective megapixels combine with Nikon’s exclusive EXPEED image processing to deliver outstanding images featuring fine details, smooth tones, rich colors and low noise across a wide ISO sensitivity range.

The D90 is the world’s first* digital SLR camera with a movie shooting function that delivers genuinely cinematic results, enhanced by the creatively shallow depth of field made possible by the DX-format sensor. This is further refined by the optical quality and broad selection of NIKKOR lenses — the same lenses relied upon by professional photographers the world over. Thanks to the D90’s large image sensor, D-Movie images exhibit less noise than those of a typical camcorder, most notably in low-light situations.

The D90 also provides remarkable performance and operability, featuring Nikon’s exclusive Scene Recognition System that advances precision in auto focus, auto exposure, and auto white balance in diverse shooting situations. Live View mode allows shooting while confirming the subject on the large 3-in., approx. 920k-dot high-density color LCD and offers three contrast-detect AF modes to allow photographers to focus on any point in the frame, enabling a greater variety of composition. In addition to wide and normal area AF, the D90 offers face priority AF in Live View mode for even sharper pictures of people.

All of these powerful features and more are housed in a compact, comfortable-to-hold body, with intuitive controls. In other words, the D90 is a camera that will satisfy the requirements of passionate photographers who demand superior image quality and crave exciting new photographic possibilities.

Nikon D90 Feature Highlights

D90’s 12.3 effective megapixels provides outstanding resolution, delivering images with extraordinarily defined detail and expanded enlargement capacity. The extremely wide sensitivity range of ISO 200 to 3200 delivers incredibly low-noise characteristics throughout. Furthermore, sensitivity can be increased to Hi 1 (ISO 6400 equivalent) and decreased to Lo 1 (ISO 100 equivalent) to expand shooting versatility. The camera also employs the Image Sensor Cleaning function that works to free image-degrading dust particles from the sensor’s optical low-pass filter.

D-Movie: the world’s first* D-SLR movie mode

In a world first* for D-SLRs, the D90 offers a movie function, allowing you to shoot 320 x 216 pixels, 640 x 424 pixels or HD720p (1,280 x 720 pixels) movies at the professional smoothness of 24 frames per second in motion JPEG format. The D90’s sensor, which is much larger than the sensor of a typical camcorder, ensures higher image quality and exceptional low-noise, high ISO sensitivity performance, even during movie shooting. Capturing creative movie clips or the drama of life’s moving moments is further enhanced by the wide selection of incredibly sharp NIKKOR interchangeable lenses that are available, from fisheye to wide-angle to super-telephoto. And Micro NIKKOR lenses bring the magic of extreme close-up imagery to movie making.Note: Autofocus and some other functions are not available when recording movies.

Scene Recognition System integrated with Face Detection System

The D90 precisely reads the color and brightness information of each scene from the 420-pixel RGB sensor, and applies this to auto focus, auto exposure and auto white balance. The D90 also recognizes human faces using the new Face Detection System, data which is incorporated during calculation, resulting in faces with newfound definition and accuracy as well as enabling face priority AF in Live View mode and immediate zoom into people’s faces in playback zoom.

Easy-to-use Live View mode

One press of the Live View button activates the D90’s Live View mode, delivering a bright, crisp image to the 3-in., approx. 920k-dot color LCD and allowing comfortable shooting without looking through the viewfinder. There are three contrast-detect AF modes that let you focus on any point in the frame: Face priority AF automatically detects up to five faces and focuses on that calculated to be the closest. Wide area AF offers a large AF area suitable for handheld shooting, and normal area AF provides focus with pinpoint accuracy when using a tripod. And when Nikon VR (Vibration Reduction) lenses are in use, photographers will enjoy the benefit of a VR-smoothed image, even in Live View mode.

Nikon’s Picture Control System enables users to customize the look and mood of images. Six original setting options are available — Standard, Neutral, Vivid, Monochrome, Portrait and Landscape — for easy customization of image preferences.

Active D-Lighting for smooth tone reproduction in high-contrast lighting

The D90’s Active D-Lighting accurately restores details in the shadows and highlighted areas, which are often lost in high-contrast lighting situations, by localizing tone control while shooting. There are four levels, including the new “Extra High.” Active D-Lighting can be used manually or set to Auto mode. It is also possible to bracket your pictures, allowing the capture of one image with Active D-Lighting and one without.

Versatile, practical 11-point AF system

Thanks to the Multi-CAM 1000 autofocus module, the D90’s 11-point AF system offers fast and precise autofocus coverage across the frame with the most sensitive AF sensor operating from the center. In addition, the D90 features versatile AF-area modes to handle most shooting situations: Single-point AF is recommended for stationary subjects, dynamic-area AF for moving subjects, auto-area AF for spontaneous shooting and 3D-tracking (11 points) AF for when you want to change the composition after focusing on your subject.

Bright pentaprism viewfinder featuring frame coverage of approx. 96%

The D90 has a precise eye-level pentaprism viewfinder with approx. 96% (centered) frame coverage and an easy-to-view 19.5 mm eyepoint (at -1.0 m^-1). The built-in 16-frame superimposed grid display can be activated to assist in the creation of better-balanced compositions.

The D90 features Advanced Scene Modes: Portrait, Landscape, Close-up, Sports and Night Portrait. These modes not only adjust exposure and image processing, but also judge the optimum Active D-Lighting and Picture Control settings to obtain the best results. The D90 also recognizes if VR (Vibration Reduction) is on or off and minimizes noise even in dimly lit scenes.

Extensive palette of in-camera Retouch Menus

The D90’s designers incorporated a wide variety of image editing functions, making it easy for users to enhance images within the camera. The D90 introduces several new retouch options: Distortion Control adjusts lens aberration, Straighten corrects inclination of the image, while Fisheye produces optical effects similar to a fisheye lens.

Engineered for precision and durability

Accurate exposures rely on precise shutters and the D90’s electronically timed shutter mechanism was specifically engineered for long, accurate service. To ensure this, D90 shutters, assembled in D90 bodies, underwent exhaustive 100,000 shutter-release cycle testing.

Nikon D90 Other Features

PictBridge is a trademark. • HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC. • Products and brand names are trademarks or registered trademarks of their respective companies.

Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. August 2008 ©2008 Nikon Corporation

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This image stabilisation lens has a newly developed system that can achieve stabilizer effects equivalent to approximately 3 stops in terms of shutter speed. It further has high-resolution, high-contrast optical capability, and dust – and moisture-resistance, making this one of the most advanced and robust models in its class.

…

The EF 24-70mm f/2.8L USM is a high-performance lens. It has been developed as a successor to the EF 28-70mm f/2.8L USM, but with a wider zoom range to meet the needs of photographers using certain digital cameras.

The EF 28-70mm f/2.8L USM has proven very popular with professional and advanced amateur photographers since it was introduced in 1995. However, the increasing use of digital cameras, most having sensors smaller than a 35mm film frame, has increased the demand for a high-performance standard zoom lens with a wider wide-angle setting. The EF 24-70mm f/2.8L USM lens meets this need. The optical design is based on the previous lens, but incorporates new design features that allow the broader focal length range while maintaining the superb image quality. At the same time, the minimum focusing distance has been reduced from 0.5 metres to 0.38 metres.Improved water and dust resistance ensure that it will become the leading standard zoom lens in the EOS system.

…

Canon, a leader in photographic and imaging technology, today announces the EF-S 17-85mm f/4-5.6 IS USM and EF-S 10-22mm f/3.5-4.5 USM wide-angle EF-S zoom lenses. Targeted at advanced digital photographers, both lenses are designed to work exclusively with Canon EOS 20D and EOS 300D digital SLR cameras. The focal length ranges of the respective lenses translates to 27-136mm and 16-35mm respectively in 35mm film format “ a spread carefully chosen by Canon to reflect the needs of its rapidly growing base of advanced D-SLR photographers. Both lenses feature Canon ring-type Ultra Sonic Motors (USM) for fast, near-silent auto focus, and a range of features designed to deliver a level of image quality approaching that of Canon revered L-Series professional lenses.

Perfect for digital photography Wide Angle

The EF-S 10-22mm f/3.5-4.5 USM is the market lightest and smallest 16-35mm (35mm equivalent) zoom lens available; ideal for landscape or indoor photography, or for photographers wishing to experiment with pan-focus and dramatic perspective effects. It also boasts a remarkably close focusing distance of just 24 cm. With similar high build quality to the EF-S 17-85mm f/4-5.6 IS USM, the EF-S 10-22mm f/3.5-4.5 USM includes a Super UD (ultra-dispersion) glass lens and two aspherical elements in its 13 element, 10 group construction. The non-rotating front element makes it ideal for use with filters such as polarizing and graduated, both of which are popular for the type of landscape photography for which the lens is suited.

Fast auto-focus

The ring-type USM motors found in both lenses employ ultra-sonic frequency vibrations to drive focussing with unrivalled speed. Canon ring-type USM holds the lens with precision and accuracy, the instant it arrives at the correct focus point and without overshoot. To further improve accuracy and speed, the drive patterns of both lenses are tailored to specifically match that of the EOS 20D and EOS 300D. Both lenses also feature full-time manual focus override without risk of motor damage. This 5x zoom lens offers the widest range of any lens in this class, and features Canon latest optical Image Stabilizer technology, providing up to 3-stop compensation for image blur caused by camera shake and slow shutter speeds. With superb quality suited to semi-professional use, the lens has a 17 element, 12 group construction, including one double-sided aspherical element for crisp, high contrast corner-to-corner detail.

Appealing background blur

The lenses both incorporate an EMD (electromagnetic diaphragm), which employs an almost perfectly circular barrel aperture. This helps create an attractive, even background blur when the photographer minimises depth of field to isolate a subject. This describes the system that allows the rear lens element of EF-S lenses to be positioned closer than normal to the image sensor of APS-C sensor cameras. A white lens mount index differentiates the lenses from other EF lenses, which retain their traditional red marking. A rear rubber ring prevents any damage in the event that an inadvertent attempt is made to mount the lenses on non-compatible cameras.

…

Features

Canon, a leader in photographic and imaging technology, today announces the EF-S 17-85mm f/4-5.6 IS USM and EF-S 10-22mm f/3.5-4.5 USM wide-angle EF-S zoom lenses. Targeted at advanced digital photographers, both lenses are designed to work exclusively with Canon EOS 20D and EOS 300D digital SLR cameras. The focal length ranges of the respective lenses translates to 27-136mm and 16-35mm respectively in 35mm film format “ a spread carefully chosen by Canon to reflect the needs of its rapidly growing base of advanced D-SLR photographers. Both lenses feature Canon ring-type Ultra Sonic Motors (USM) for fast, near-silent auto focus, and a range of features designed to deliver a level of image quality approaching that of Canon revered L-Series professional lenses.

Standard

Ideal for travel, mid-range nature/wildlife and general photography, the EF-S 17-85mm f/4-5.6 IS USM is a high quality, lightweight, all-purpose standard zoom lens. This 5x zoom lens offers the widest range of any lens in this class, and features Canon latest optical Image Stabilizer technology, providing up to 3-stop compensation for image blur caused by camera shake and slow shutter speeds. With superb quality suited to semi-professional use, the lens has a 17 element, 12 group construction, including one double-sided aspherical element for crisp, high contrast corner-to-corner detail.

Wide Angle

The EF-S 10-22mm f/3.5-4.5 USM is the market lightest and smallest 16-35mm (35mm equivalent) zoom lens available; ideal for landscape or indoor photography, or for photographers wishing to experiment with pan-focus and dramatic perspective effects. It also boasts a remarkably close focusing distance of just 24 cm. With similar high build quality to the EF-S 17-85mm f/4-5.6 IS USM, the EF-S 10-22mm f/3.5-4.5 USM includes a Super UD (ultra-dispersion) glass lens and two aspherical elements in its 13 element, 10 group construction. The non-rotating front element makes it ideal for use with filters such as polarizing and graduated, both of which are popular for the type of landscape photography for which the lens is suited.

EF-S mount

Both lenses feature Canon EF-S lens mount, matched to the EOS 20D and EOS 300D digital SLRs. The APS-C sized sensor of these cameras results in an effective multiplication factor of 1.6x the indicated focal length. While this creates an obvious advantage for telephoto lenses, it is less beneficial when meeting wide-angle requirements. To meet the needs of the new digital photographers, Canon developed the wide-angle EF-S lens mount. The EOS 20D and EOS 300D are both completely compatible with all existing EF lenses, while EF-S lenses only fit these two cameras. Optimized for Digital SLRs with APS-C size sensors, the EF-S mount enables economic wide-angle solutions often required by advanced photographers. The “S” in the EF-S nomenclature stands for the term short back focus. This describes the system that allows the rear lens element of EF-S lenses to be positioned closer than normal to the image sensor of APS-C sensor cameras. A white lens mount index differentiates the lenses from other EF lenses, which retain their traditional red marking. A rear rubber ring prevents any damage in the event that an inadvertent attempt is made to mount the lenses on non-compatible cameras.

Fast auto-focus

The ring-type USM motors found in both lenses employ ultra-sonic frequency vibrations to drive focussing with unrivalled speed. Canon ring-type USM holds the lens with precision and accuracy, the instant it arrives at the correct focus point and without overshoot. To further improve accuracy and speed, the drive patterns of both lenses are tailored to specifically match that of the EOS 20D and EOS 300D. Both lenses also feature full-time manual focus override without risk of motor damage.

Appealing background blur

The lenses both incorporate an EMD (electromagnetic diaphragm), which employs an almost perfectly circular barrel aperture. This helps create an attractive, even background blur when the photographer minimises depth of field to isolate a subject.

Perfect for digital photography

By optimising lens coatings, Canon engineers have been effective in suppressing flare and ghosting, which are more prone to occur with digital cameras due to reflection off the image sensor. Coatings reduce reflections off the lens surfaces to deliver crisp, undistorted digital images with natural colour balance.

Distant linked flash

Both lenses include new distance metering information, providing compatibility with the E-TTL II flash system of the EOS 20D. When used in conjunction with Canon range of EX Speedlite flash units, this allows for markedly improved flash exposure metering. An optional lens hood accessory is available for both lenses. In harmony with the environment In keeping with Canon stringent environmental policy, only lead free glass is used in the lens optics.

Canon EF-S 10 -22 mm lens specifications

Body material	Magnesium alloy
Sensor *	• 36 x 24 mm CMOS sensor • Full 35 mm size frame • RGB Color Filter Array • Built-in fixed low-pass filter (with self-cleaning unit) • 22.0 million total pixels • 21.1 million effective pixels • 3:2 aspect ratio
Lenses	• Canon EF lens mount (does not support EF-S lenses) • No field of view crop (1.0x)
Dust reduction	• “EOS Integrated Cleaning System” • Self-cleaning sensor unit (filter in front of sensor vibrates at high frequency at start-up and shutdown – can be disabled) • Dust Delete Data – Data from a test shot is used to ‘map’ dust spots and can be later removed using Canon DPP Software
Image processor *	DIGIC 4
A/D conversion	14 bit
Image sizes (JPEG) *	• 5616 x 3744 (21.0 MP) • 4080 x 2720 (11.1 MP) • 2784 x 1856 (5.2 MP)
Image sizes (RAW) *	• 5616 x 3744 (21.0 MP) • 3861 x 2574 (10.0 MP) • 2784 x 1856 (5.2 MP)
File formats *	• RAW (.CR2; 14-bit) • JPEG (EXIF 2.21) – Fine / Normal • RAW + JPEG (separate files) • sRAW1, sRAW2 (see above) *
Auto focus	• 9-point TTL CMOS sensor • 6 “Invisible Assist AF points” • Centre point cross type F5.6 or faster • Center point additionally sensitive with lenses of F2.8 or faster • AF working range: -0.5 – 18 EV (at 23°C, ISO 100)
Focus modes	• One shot AF • AI Servo AF • AI Focus AF • Manual focus
AF micro adjustment *	• Adjust all lenses by same amount (effectively body adjustment) • Adjust up to 20 lenses individually
AF point selection	• Auto • Manual
Predictive AF	• As close as 8 m (with 300 mm F2.8L lens at 50 kph)
AF assist	No (only with external flash)
Metering	• TTL full aperture metering 35 zone SPC • Metering range: 1.0 – 20 EV
Metering modes	• Evaluative 35 zone (linked to any AF point) • Partial (8% at center) • Spot metering (approx. 3.5% at center) • Center-weighted average
AE lock	• Auto: One Shot AF with evaluative metering • Manual: AE lock button
Exposure compensation	• +/-2.0 EV • 0.3 or 0.5 EV increments
Exposure bracketing	• +/- 2.0 EV • 0.3 or 0.5 EV increments
Sensitivity *	• ISO 100 – 6400 • 0.3 or 1.0 EV increments • Auto ISO (100-3200) • Expansion options: ISO 50 (L1) ISO 12800 (H1) ISO 25600 (H2)
Shutter	• Focal-plane shutter • 150,000 exposure durability • 30 – 1/8000 sec • 0.3 or 0.5 EV increments • Flash X-Sync: 1/200 sec • Bulb
Aperture values	• F1.0 – F91 • 0.3 or 0.5 EV increments • Actual aperture range depends on lens used
White balance	• Auto • Daylight • Shade • Cloudy • Tungsten • Fluorescent • Flash • Custom • Kelvin (2500 – 10000 K in 100 K steps)
WB bracketing	• +/-3 levels • 3 images • Blue / Amber or Magenta / Green bias
WB shift	• Blue (-9) To Amber (+9) • Magenta (-9) to Green (+9)
Picture style	• Standard • Portrait • Landscape • Neutral • Faithful • Monochrome • User def. 1 • User def. 2 • User def. 3
Custom image parameters	• Sharpness: 0 to 7 • Contrast: -4 to +4 • Saturation: -4 to +4 • Color tone: -4 to +4 • B&W filter: N, Ye, Or, R, G • B&W tone: N, S, B, P, G
Image processing options *	• Highlight tone priority • Auto lighting optimizer (4 settings) • Long exposure noise reduction • High ISO noise reduction (4 settings) • Auto correction of lens peripheral illumination (vignetting)
Color space	• sRGB • Adobe RGB
Viewfinder *	• Eye-level pentaprism • 98% frame coverage • Magnification: 0.71x (-1 diopter with 50 mm lens at infinity) • Eyepoint: Approx. 21 mm • Interchangeable focusing screen (3 other types optional) • Dioptric adjustment: -3.0 to +1.0 diopter
Mirror	• Quick-return half mirror (transmission:reflection ratio 40:60) • Mirror lock-up (once or multiple exposures)
Viewfinder info *	• AF information: AF points Focus confirmation light • Exposure information: Shutter speed Aperture value ISO speed (always displayed) AE lock Exposure level/compensation Spot metering circle Exposure warning AEB • Flash information: Flash ready High-speed sync FE lock Flash exposure compensation • Image information: White balance correction CF card information Monochrome shooting Maximum burst (2 digit display) Highlight tone priority (D+)
LCD monitor *	• 3.0 ” TFT LCD • 920,000 pixels • Automatic 3 level brightness adjustment plus 7 manual levels • 170 ° viewing angle • Dual anti-reflection (‘Clear View’)
LCD Live view *	• Live TTL display of scene from CMOS image sensor • 100% frame coverage • 30 fps • Real-time evaluative metering using CMOS image sensor • Best view or exposure simulation • Silent mode • Grid optional (x2) • Magnify optional (5x or 10x at AF point) • Three AF modes – Live mode / Quick mode / Face Detection • Live histogram (Luminance or RGB) • Remote live view using EOS Utility 2.0 (via USB or WiFi/Ethernet using WFT)
Movie recording *	• Available optionally during Live view mode • 1920 x 1080 (16:9) up to 12 mins (Quicktime 1080p H.264; 38.6 Mbits/sec) • 640 x 480 (4:3) up to 24 mins (Quicktime 480p H.264; 17.3 Mbits/sec) • Max file size 4 GB • Quicktime MOV format (H.264 video, PCM sound) • 30 fps
Record review	• Off • On (histogram via INFO button) • Display mode same as last used Play mode • 2 / 4 / 8 sec / Hold
Playback modes	1. Single image with exposure, file number, storage slot 2. As 1 but also image count and quality 3. Detailed exposure information, thumbnail and luminance histogram 4. Less detailed exposure info., thumbnail, luminance and RGB histograms
Playback features	• Optional blinking highlight alert • Optional AF point display • Magnified view (up to 10x) • 2×2 or 3×3 thumbnail index • Jump (by 1, 10, 100 images, screen, date, folder, movies, stills)* • Delete / Protect
Flash	• No built-in flash unit • E-TTL II auto flash / metered manual • Flash compensation +/-2.0 EV in 0.3 or 0.5 EV increments • X-Sync: 1/200 sec • Hot-shoe & PC Terminal
External flash	• E-TTL II auto flash with EX-series Speedlites • In-camera flash configuration (currently only 580 EX II) • Wireless multi-flash support • PC Sync
Shooting modes	• Auto • Creative Auto * • Program AE (P) • Shutter priority AE (Tv) • Aperture priority AE (Av) • Manual (M) • Custom 1 • Custom 2 * • Custom 3 *
Drive modes	• Single • Continuous: 3.9 fps * • Self-timer: 2 or 10 sec (2 sec with mirror lock-up)
Burst buffer	• Large/Fine JPEG: 78 frames (310 with UDMA card) * • RAW: 13 frames *
Orientation sensor	Yes
Auto rotation	• On (recorded and LCD display) • On (recorded only) • Off
Custom functions *	25 custom functions with 71 settings in 4 groups
Menu languages *	• 25 Languages • English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Romanian, Ukrainian, Turkish, Arabic, Thai, Simplified Chinese, Traditional Chinese, Korean and Japanese
Firmware	User upgradable
Portrait grip	• Optional WFT-E4 (WiFi / LAN / USB mass storage) • Optional BG-E6 battery grip
Connectivity *	• USB 2.0 Hi-Speed • AV out (video & audio *) • HDMI connector * • Microphone input * • PC Sync flash terminal • Communication terminal on base for WFT-E4 • InfraRed *
Storage *	• Compact Flash Type I or II (inc. FAT32) • Supports UDMA cards * • Copyright metatag support • Canon Original Data Security Kit supported (“Original Image Data”)
Power *	• Lithium-Ion LP-E6 rechargeable battery (supplied & charger) • CR1616 for date & settings • Approx. 850 shots at 20°C • Battery indication 6 levels & percentage (memorized)
Dimensions *	152 x 114 x 75 mm (6.0 x 4.5 x 2.9 in)
Weight *	• No battery: 810 g (1.8 lb)
Accessories	• Viewfinder: Eyecup Eb, E-series Dioptric Adjustment Lens with Rubber Frame Eb, Eyepiece Extender EP-EX15, Focusing Screens Eg, Angle Finder C • Wireless File Transmitter WFT-E4 • Battery Grip BG-E6 • All EF lenses (excludes EF-S lenses) • Canon Speedlites (220EX, 380EX, 420EX, 430EX, 430EX II, 550EX, 580EX, 580EX II, Macro-Ring-Lite, MR-14EX, Macro Twin Lite MT-24EX, Speedlite Transmitter ST-E2) • Remote control with N3 type contact, Wireless Controller LC-5, Remote Controller RC-1, Remote Controller RC-5 • Original Data Security Kit OSK-E3

* Changes or additions compared to the EOS 5D

EOS 450D

12.2 Megapixel CMOS sensor

The 12.2 Megapixel CMOS sensor gives you plenty of detail for poster-size prints and extra flexibility when cropping. Sensitive in low light and virtually noise-free, Canon’s CMOS sensors are also remarkably power-efficient.3.5 fps shooting The EOS 450D captures up to 3.5 frames per second for a continuous burst of up to 53 large JPEG images (6 in RAW). 9-point wide-area AF, The 9 AF points are spread out across the frame to better accommodate off-centre subjects. The central AF point is a high sensitivity cross type sensor for quick, accurate focusing with f/2.8 and faster lenses. The EOS 450D blends uncompromising performance with ease of use in a lightweight, ergonomic body.

EOS Integrated Cleaning System

Canon’s built-in dust prevention system uses three methods to keep images blemish-free. (1) Specialised materials reduce dust generation within the camera. (2) A Self-Cleaning Sensor Unit shakes dust from the sensor each time the camera is turned on or off. (3) Stubborn dust spots are mapped for easy removal in Digital Photo Professional. 3.0” LCD with Live View mode The bright 3.0” LCD provides sharp definition for checking focus and composition, with 10x magnification for finer details. When shooting from awkward positions, Live View mode gives you the option of framing the image from the LCD, and a choice of focussing modes. Renowned for its white balance accuracy, DIGIC III renders colours with brilliant, true-to-life precision. Captured images are processed in 14-bit colour depth for finer tonal gradations. DIGIC III works efficiently to minimise power consumption while maintaining ultra-fast response times.

Total image control

Gain easy control over image processing parameters with Picture Style presets. Contrast, sharpness and saturation can be customized in-camera or through the supplied Picture Style Editor software. After the shoot, Canon’s RAW processing software Digital Photo Professional provides everything you need to manage and process your RAW images. Compact and lightweight, Ergonomically designed for natural and intuitive handling, the EOS 450 is housed in a compact body that weighs in at just 475 grams. EF lenses and accessories, The EOS 450D is compatible with over 60 EF/EF-S lenses and all EX Series Speedlite flash units. Large, bright viewfinder, A large viewfinder gives a bright and clear view for easy composition of the scene. Capture your world with a 12.2 Megapixel CMOS sensor and the very latest Canon technologies.