Canon EOS-1D Mark IV

New Canon EOS-1D Mark IV

Digital SLR Camera

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EF 85mm f/1.2L Mark II USM

Canon EF 85mm f/1.2L Mark II USM

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Kategori Lensa tele menengah

Mempertahankan performa optikal yang mengesankan dan aperture besar asli Canon EF 85mm f/1.2L USM, media baru ini menggunakan lensa tele tipe Ring USM, kecepatan tinggi algoritma CPU dan dioptimalkan untuk mencapai kecepatan autofocus sekitar 1.8x lebih cepat daripada yang asli . Kecepatan tinggi dan melingkar apertur AF menciptakan depth-of-field yang membawa perhatian pada subjek dan mengaburkan latar belakang, yang ideal untuk potret dan acara pernikahan.

Maximum quality. Minimum effort.

10.0 Megapixels
A 10.0 Megapixel sensor lets you capture every scene in vivid detail – sufficient for creative cropping, or turning into poster-size prints.

A mode for every occasion
A range of 17 shooting modes – including Easy, Sunset and ISO 3200 modes – helps you get the perfect shot, even in tricky lighting conditions. My Colors photo effects, such as black and white, can be applied either in shooting or playback.

Compact and colourful
With its outstandingly slim, compact design, the PowerShot A1000 IS can be taken anywhere with ease. Its high-quality build is finished in three colours: Blue, Brown and Silver*.

Get closer
A Canon 4x optical zoom gives you a range of framing options – while using optical Image Stabilizer technology to guard your shots against the effects of camera shake, for crisp, blur-free shots.

DIGIC III and iSAPS
Canon’s DIGIC III processor provides lightning quick responses, superb image quality and advanced noise reduction for sharper, clearer images. iSAPS technology uses shooting scene data to optimise camera settings even before a shot is taken.

Face Detection Technology
Great people shots come easily with Face Detection AF/AE/FE/WB, which detects up to nine faces and adjusts focus, exposure, flash settings and white balance – for optimal results with natural-looking skin tones. Face Select & Track lets you choose and track your primary subject, so you never lose a special face in the crowd.

Auto Red Eye Correction
Remove red-eye, fast and accurately. Get automatic red-eye removal immediately after your shot is taken – or choose between manual or automatic correction in playback.

Say goodbye to blur
A combination of Canon technologies makes great, blur-free photos easy. Activated in High ISO Auto, Motion Detection Technology uses Face Detection Technology, the optical Image Stabilizer and scene information – on both scene brightness and changes between individual frames – to identify subject motion and camera-shake. ISO is also optimised for minimum blur and maximum image quality.

2.5” LCD and OVF
Frame shots on a bright 2.5” LCD screen, then share them easily with friends thanks to a wide viewing angle. Alternatively, the real-image optical viewfinder (OVF) can be used to preserve battery life.

Movie options
Shoot smooth, 30fps VGA movie clips at the touch of a button. A special Long Play option uses around half the normal memory card space.

*Some colour variations may not be available in some regions

Outstanding, clean images
A newly designed 15.1 Megapixel CMOS sensor delivers ultra-detailed, low-noise images – ideal for large-scale reproduction or creative cropping. New manufacturing processes, plus redesigned photo diodes and microlenses, extend the light gathering capabilities of the sensor – allowing more pixels to be fitted on the CMOS sensor without compromising image quality. These changes ensure improved high ISO performance and low noise. High-speed, low light shooting is enabled by ISO levels of 3200, expandable to an ultra-sensitive 12800.

The EOS Integrated Cleaning System – including the improved Self Cleaning Sensor Unit with a new fluorine coating – increases protection of image quality by helping to reduce, repel and remove unwanted dust from the sensor. Stubborn particles can be removed automatically in post-production with Dust Delete Data and Canon’s included Digital Photo Professional software.

Rapid-fire performance
Canon’s new DIGIC 4 processor is fast enough to allow up to 6.3fps continuous shooting, in bursts of up to 90 JPEGs with a UDMA card. Used with Canon’s wide area AF system, which locks onto subjects with 9 individual cross type sensors, stunning action sequences can be captured – even in low-light conditions. This makes the EOS 50D particularly suited to sports and wildlife shooting.

DIGIC 4 works with the CMOS sensor to deliver 14-bit image processing, for smooth gradation and natural-looking colours – as well as ensuring ultra-fast startup times and near-instant image review after shooting.

See everything
A new 3.0” Clear View VGA LCD provides extra-large and wide angle-of-view image review, with plenty of clarity for accurate focus checks in playback. By switching to Live View mode – which displays a real-time image on the LCD – photographers can enjoy simplified shooting from awkward angles, or connect to a PC for remote shooting. Live Mode now offers three ways to auto focus: Quick AF, Live AF, and new Face Detection Live AF, which optimizes focus based on faces detected in the frame – for fast, spontaneous portraiture.

Control and ease
The famously intuitive EOS menu system includes a new Quick Control screen, for instant access to the most commonly-changed settings. A new Creative Auto mode offers automatic focus and exposure – while still allowing creative ‘tweaks’ to settings such as background sharpness.
“For advanced amateurs and semi-professionals – or professionals looking for a powerful backup model – the EOS 50D stands alone,” said Mogens Jensen, Head of Canon Consumer Imaging, Europe. “No other camera in this price bracket offers a comparable combination of speed and image quality.”

Technologies Explained

CMOS

Canon’s CMOS technology is one of the company’s key competitive advantages, with noise reduction circuitry at each pixel site delivering virtually noise-free images. In comparison with CCD technology, the lower power consumption characteristics of Canon’s CMOS sensors also contribute to longer battery life.

Signal conversion in Canon’s CMOS sensors is handled by individual amplifiers at each pixel site. Unnecessary charge transfer operations are avoided, vastly speeding up the process of getting signal to the image processor. Noise generation is reduced, power consumption is limited and faster frame rate potential is increased.

DIGIC

Image data captured by the CMOS sensor is processed by Canon’s purpose-built DIGIC image processors before being written to the camera’s memory card. DIGIC technology uses advanced image processing algorithms to ensure precise, natural colours, accurate white balance, and advanced noise reduction. Ultra-fast processing speeds result in highly responsive camera operation and near-instant start-up times.

DIGIC chips work with a high speed DDR-SDRAM image buffer – reading, processing, compressing and writing image data fast enough to keep the buffer clear during long continuous shooting bursts. And because DIGIC integrates all key processing functions, power consumption is kept to a minimum.

EOS Integrated Cleaning System
The EOS Integrated Cleaning System combats sensor dust in three important ways: Reduce, Repel and Remove.

Canon has also developed an internal Dust Delete Data system, which can map the position of visible dust on the sensor. This can then be deleted automatically after the shoot with the latest Digital Photo Professional software.

Picture Style
Picture Style pre-sets simplify in-camera control over image qualities. Picture Style pre-sets can be likened to different film types – each one offering a different colour response. Within each selectable pre-set, photographers have control over sharpness, contrast, colour tone and saturation. The camera’s factory default configuration is set to deliver immediately-usable JPEG images without need for additional menu settings. Picture Style presets applied to a RAW image can be revised with Canon’s Digital Photo Professional software.

The six pre-sets are:

Software

Digital Photo Professional Software
Digital Photo Professional software provides high speed, high quality processing of lossless RAW images. Processing with Digital Photo Professional allows real-time display and immediate application of image adjustments, giving control over RAW image variables such as white balance, dynamic range, exposure compensation, noise reduction and colour tone – plus the ability to view Auto Focus points on an image. The Lens Aberration correction tool allows precise correction of different types of distortion caused by certain cameras. Images can be recorded in camera with sRGB or Adobe RGB colour space.

Digital Photo Professional supports sRGB, Adobe RGB, ColorMatch RGB, Apple RGB and Wide Gamut RGB colour spaces. ICC (International Colour Consortium) profiles can be attached to TIFF or JPEG images when converted from RAW. This allows faithful reproduction of colours in software applications that support ICC profiles, such as Adobe Photoshop. For improved efficiency, a set of image adjustments can be saved as a recipe and applied.

EOS Utility
The latest version of EOS Utility provides essential support for Live View remote shooting, camera configuration and image transfers. Tightly integrated with Digital Photo Professional, EOS Utility can be configured to monitor ‘hot’ folders, automatically renaming and moving incoming images to a structured file system. Users can also tag their images with EXIF data, including copyright information.

Picture Style Editor
Picture Style Editor allows users to create individual Picture Styles that fit with their personal requirements. Each Picture Style contains detailed information on how specific colours should be represented within an image. Once new Picture Styles have been created, they can be uploaded directly into the camera and applied to JPEG or RAW images. When working with RAW files in DPP, both personal Picture Styles and the 6 predetermined Picture Styles can all be adjusted.

Check out the comparison table, below:

	Canon EOS 400D	Canon EOS 1000D	Canon EOS 450D
Resolution	10.1 megapixels	10.1 megapixels	12.2 megapixels
Image size (max)	3,888×2,592 pixels	3,888×2,592 pixels	4,727×2,848 pixels
Sensor size	22.2×14.8mm	22.2×14.8mm	22.2×14.8mm
Image processor	DiG!C II	DiG!C III	DiG!C III
Colour depth	12-bit	12-bit	14-bit
Viewfinder coverage	95%	95%	95%
LCD screen size	2.5-inch	2.5-inch	3-inch
Live View	No	Yes	Yes
Continuous shooting speed	3fps	3fps	3.5fps
Max burst	27 shots	514 shots	53 shots
Autofocus	9 points	7 points	9 points
Spot metering	No	No	Yes
Storage type(s)	CF	SD/SDHC	SD/SDHC
Dimensions (WxHxD)	126.5×94.2x65mm	126.1×97.5×61.9mm	128.8×97.5×61.9mm
Weight	510 grams	450 grams	475 grams

Bali Photography

Main Features

D3 DNA

The D700 inherits the ‘must have’ image quality of the D3. Using the same core technologies such as the highly-sensitive 12.1 effective megapixel CMOS image sensor with large pixel pitch and gapless micro lens array that affords bright, clean files across a broad ISO range. The D700 also features the same innovative EXPEED high-speed image-processing system, 14-bit A/D conversion and 16-bit processing pipeline to provide the detail and smooth gradation necessary for outstanding print enlargement and reproduction.

FX on the move

The D700 is ideal for those seeking a perfectly-balanced DSLR on the move, without compromising durability or environmental resistance to moisture and dust. The D700 incorporates an image sensor cleaning system that uses high frequency vibrations to reduce the accumulation of dust on the image sensor surface. A responsive 5fps is possible with the compact 1500mAh EN-EL3e lithium-ion battery, with up to 8 fps possible by attaching the optional MB-D10 battery pack to use the powerful 2500mAh EN-EL4a battery if desired. This offers complete power supply integration for those already using the D3 and D300. Another first is the practical i-TTL built-in pop up flash with 24mm lens coverage, ideal for discrete flash lighting when a full size Speedlight might be too cumbersome.

Getting the shot right

Despite its attractive price tag, the D700 makes no compromises in its comprehensive feature array with a highly responsive shutter release time lag of just 40ms, the acclaimed accuracy of the 51-point MultiCAM3500 AF system, DX Crop Mode and Live View with contrast-detect AF displayed on the same high-definition 3-inch TFT monitor used on the D3 and D300. One of the most important advantages of FX format cameras is the viewfinder experience and the D700 features an outstanding solid glass pentaprism, 95% coverage and adjustable AF point LED illumination for a bright, uninterrupted view. A clever new feature is the ability to display the Virtual Horizon level indicator during Live View mode to determine camera orientation at arms length.

What NIKKORS have been waiting for

The D700 is designed for the future without ignoring the past. As Nikon celebrates the 75th anniversary of the very first NIKKOR lens, and with well over 40 million sold, intelligent image processing technologies to control peripheral illumination (Vignette) and chromatic aberration enable photographers to rediscover the creative possibilities of their existing NIKKOR F mount lenses. For newcomers, the ever-expanding Nikon Total Imaging System provides lenses, Speedlights, Software and accessories for every photographic challenge both now and in the future

The first thing that will amaze photographers about the D90 is its stunning image quality, which takes its inspiration from Nikon’s flagship DX-format digital SLR, the D300. The D90’s image sensor and 12.3 effective megapixels combine with Nikon’s exclusive EXPEED image processing to deliver outstanding images featuring fine details, smooth tones, rich colors and low noise across a wide ISO sensitivity range.

The D90 is the world’s first* digital SLR camera with a movie shooting function that delivers genuinely cinematic results, enhanced by the creatively shallow depth of field made possible by the DX-format sensor. This is further refined by the optical quality and broad selection of NIKKOR lenses — the same lenses relied upon by professional photographers the world over. Thanks to the D90’s large image sensor, D-Movie images exhibit less noise than those of a typical camcorder, most notably in low-light situations.

The D90 also provides remarkable performance and operability, featuring Nikon’s exclusive Scene Recognition System that advances precision in auto focus, auto exposure, and auto white balance in diverse shooting situations. Live View mode allows shooting while confirming the subject on the large 3-in., approx. 920k-dot high-density color LCD and offers three contrast-detect AF modes to allow photographers to focus on any point in the frame, enabling a greater variety of composition. In addition to wide and normal area AF, the D90 offers face priority AF in Live View mode for even sharper pictures of people.

All of these powerful features and more are housed in a compact, comfortable-to-hold body, with intuitive controls. In other words, the D90 is a camera that will satisfy the requirements of passionate photographers who demand superior image quality and crave exciting new photographic possibilities.

Nikon D90 Feature Highlights

D90’s 12.3 effective megapixels provides outstanding resolution, delivering images with extraordinarily defined detail and expanded enlargement capacity. The extremely wide sensitivity range of ISO 200 to 3200 delivers incredibly low-noise characteristics throughout. Furthermore, sensitivity can be increased to Hi 1 (ISO 6400 equivalent) and decreased to Lo 1 (ISO 100 equivalent) to expand shooting versatility. The camera also employs the Image Sensor Cleaning function that works to free image-degrading dust particles from the sensor’s optical low-pass filter.

D-Movie: the world’s first* D-SLR movie mode

In a world first* for D-SLRs, the D90 offers a movie function, allowing you to shoot 320 x 216 pixels, 640 x 424 pixels or HD720p (1,280 x 720 pixels) movies at the professional smoothness of 24 frames per second in motion JPEG format. The D90’s sensor, which is much larger than the sensor of a typical camcorder, ensures higher image quality and exceptional low-noise, high ISO sensitivity performance, even during movie shooting. Capturing creative movie clips or the drama of life’s moving moments is further enhanced by the wide selection of incredibly sharp NIKKOR interchangeable lenses that are available, from fisheye to wide-angle to super-telephoto. And Micro NIKKOR lenses bring the magic of extreme close-up imagery to movie making.Note: Autofocus and some other functions are not available when recording movies.

Scene Recognition System integrated with Face Detection System

The D90 precisely reads the color and brightness information of each scene from the 420-pixel RGB sensor, and applies this to auto focus, auto exposure and auto white balance. The D90 also recognizes human faces using the new Face Detection System, data which is incorporated during calculation, resulting in faces with newfound definition and accuracy as well as enabling face priority AF in Live View mode and immediate zoom into people’s faces in playback zoom.

Easy-to-use Live View mode

One press of the Live View button activates the D90’s Live View mode, delivering a bright, crisp image to the 3-in., approx. 920k-dot color LCD and allowing comfortable shooting without looking through the viewfinder. There are three contrast-detect AF modes that let you focus on any point in the frame: Face priority AF automatically detects up to five faces and focuses on that calculated to be the closest. Wide area AF offers a large AF area suitable for handheld shooting, and normal area AF provides focus with pinpoint accuracy when using a tripod. And when Nikon VR (Vibration Reduction) lenses are in use, photographers will enjoy the benefit of a VR-smoothed image, even in Live View mode.

Nikon’s Picture Control System enables users to customize the look and mood of images. Six original setting options are available — Standard, Neutral, Vivid, Monochrome, Portrait and Landscape — for easy customization of image preferences.

Active D-Lighting for smooth tone reproduction in high-contrast lighting

The D90’s Active D-Lighting accurately restores details in the shadows and highlighted areas, which are often lost in high-contrast lighting situations, by localizing tone control while shooting. There are four levels, including the new “Extra High.” Active D-Lighting can be used manually or set to Auto mode. It is also possible to bracket your pictures, allowing the capture of one image with Active D-Lighting and one without.

Versatile, practical 11-point AF system

Thanks to the Multi-CAM 1000 autofocus module, the D90’s 11-point AF system offers fast and precise autofocus coverage across the frame with the most sensitive AF sensor operating from the center. In addition, the D90 features versatile AF-area modes to handle most shooting situations: Single-point AF is recommended for stationary subjects, dynamic-area AF for moving subjects, auto-area AF for spontaneous shooting and 3D-tracking (11 points) AF for when you want to change the composition after focusing on your subject.

Bright pentaprism viewfinder featuring frame coverage of approx. 96%

The D90 has a precise eye-level pentaprism viewfinder with approx. 96% (centered) frame coverage and an easy-to-view 19.5 mm eyepoint (at -1.0 m^-1). The built-in 16-frame superimposed grid display can be activated to assist in the creation of better-balanced compositions.

The D90 features Advanced Scene Modes: Portrait, Landscape, Close-up, Sports and Night Portrait. These modes not only adjust exposure and image processing, but also judge the optimum Active D-Lighting and Picture Control settings to obtain the best results. The D90 also recognizes if VR (Vibration Reduction) is on or off and minimizes noise even in dimly lit scenes.

Extensive palette of in-camera Retouch Menus

The D90’s designers incorporated a wide variety of image editing functions, making it easy for users to enhance images within the camera. The D90 introduces several new retouch options: Distortion Control adjusts lens aberration, Straighten corrects inclination of the image, while Fisheye produces optical effects similar to a fisheye lens.

Engineered for precision and durability

Accurate exposures rely on precise shutters and the D90’s electronically timed shutter mechanism was specifically engineered for long, accurate service. To ensure this, D90 shutters, assembled in D90 bodies, underwent exhaustive 100,000 shutter-release cycle testing.

Nikon D90 Other Features

PictBridge is a trademark. • HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC. • Products and brand names are trademarks or registered trademarks of their respective companies.

Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. August 2008 ©2008 Nikon Corporation

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This image stabilisation lens has a newly developed system that can achieve stabilizer effects equivalent to approximately 3 stops in terms of shutter speed. It further has high-resolution, high-contrast optical capability, and dust – and moisture-resistance, making this one of the most advanced and robust models in its class.

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The EF 24-70mm f/2.8L USM is a high-performance lens. It has been developed as a successor to the EF 28-70mm f/2.8L USM, but with a wider zoom range to meet the needs of photographers using certain digital cameras.

The EF 28-70mm f/2.8L USM has proven very popular with professional and advanced amateur photographers since it was introduced in 1995. However, the increasing use of digital cameras, most having sensors smaller than a 35mm film frame, has increased the demand for a high-performance standard zoom lens with a wider wide-angle setting. The EF 24-70mm f/2.8L USM lens meets this need. The optical design is based on the previous lens, but incorporates new design features that allow the broader focal length range while maintaining the superb image quality. At the same time, the minimum focusing distance has been reduced from 0.5 metres to 0.38 metres.Improved water and dust resistance ensure that it will become the leading standard zoom lens in the EOS system.

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Canon, a leader in photographic and imaging technology, today announces the EF-S 17-85mm f/4-5.6 IS USM and EF-S 10-22mm f/3.5-4.5 USM wide-angle EF-S zoom lenses. Targeted at advanced digital photographers, both lenses are designed to work exclusively with Canon EOS 20D and EOS 300D digital SLR cameras. The focal length ranges of the respective lenses translates to 27-136mm and 16-35mm respectively in 35mm film format “ a spread carefully chosen by Canon to reflect the needs of its rapidly growing base of advanced D-SLR photographers. Both lenses feature Canon ring-type Ultra Sonic Motors (USM) for fast, near-silent auto focus, and a range of features designed to deliver a level of image quality approaching that of Canon revered L-Series professional lenses.

Perfect for digital photography Wide Angle

The EF-S 10-22mm f/3.5-4.5 USM is the market lightest and smallest 16-35mm (35mm equivalent) zoom lens available; ideal for landscape or indoor photography, or for photographers wishing to experiment with pan-focus and dramatic perspective effects. It also boasts a remarkably close focusing distance of just 24 cm. With similar high build quality to the EF-S 17-85mm f/4-5.6 IS USM, the EF-S 10-22mm f/3.5-4.5 USM includes a Super UD (ultra-dispersion) glass lens and two aspherical elements in its 13 element, 10 group construction. The non-rotating front element makes it ideal for use with filters such as polarizing and graduated, both of which are popular for the type of landscape photography for which the lens is suited.

Fast auto-focus

The ring-type USM motors found in both lenses employ ultra-sonic frequency vibrations to drive focussing with unrivalled speed. Canon ring-type USM holds the lens with precision and accuracy, the instant it arrives at the correct focus point and without overshoot. To further improve accuracy and speed, the drive patterns of both lenses are tailored to specifically match that of the EOS 20D and EOS 300D. Both lenses also feature full-time manual focus override without risk of motor damage. This 5x zoom lens offers the widest range of any lens in this class, and features Canon latest optical Image Stabilizer technology, providing up to 3-stop compensation for image blur caused by camera shake and slow shutter speeds. With superb quality suited to semi-professional use, the lens has a 17 element, 12 group construction, including one double-sided aspherical element for crisp, high contrast corner-to-corner detail.

Appealing background blur

The lenses both incorporate an EMD (electromagnetic diaphragm), which employs an almost perfectly circular barrel aperture. This helps create an attractive, even background blur when the photographer minimises depth of field to isolate a subject. This describes the system that allows the rear lens element of EF-S lenses to be positioned closer than normal to the image sensor of APS-C sensor cameras. A white lens mount index differentiates the lenses from other EF lenses, which retain their traditional red marking. A rear rubber ring prevents any damage in the event that an inadvertent attempt is made to mount the lenses on non-compatible cameras.

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Features

Canon, a leader in photographic and imaging technology, today announces the EF-S 17-85mm f/4-5.6 IS USM and EF-S 10-22mm f/3.5-4.5 USM wide-angle EF-S zoom lenses. Targeted at advanced digital photographers, both lenses are designed to work exclusively with Canon EOS 20D and EOS 300D digital SLR cameras. The focal length ranges of the respective lenses translates to 27-136mm and 16-35mm respectively in 35mm film format “ a spread carefully chosen by Canon to reflect the needs of its rapidly growing base of advanced D-SLR photographers. Both lenses feature Canon ring-type Ultra Sonic Motors (USM) for fast, near-silent auto focus, and a range of features designed to deliver a level of image quality approaching that of Canon revered L-Series professional lenses.

Standard

Ideal for travel, mid-range nature/wildlife and general photography, the EF-S 17-85mm f/4-5.6 IS USM is a high quality, lightweight, all-purpose standard zoom lens. This 5x zoom lens offers the widest range of any lens in this class, and features Canon latest optical Image Stabilizer technology, providing up to 3-stop compensation for image blur caused by camera shake and slow shutter speeds. With superb quality suited to semi-professional use, the lens has a 17 element, 12 group construction, including one double-sided aspherical element for crisp, high contrast corner-to-corner detail.

Wide Angle

The EF-S 10-22mm f/3.5-4.5 USM is the market lightest and smallest 16-35mm (35mm equivalent) zoom lens available; ideal for landscape or indoor photography, or for photographers wishing to experiment with pan-focus and dramatic perspective effects. It also boasts a remarkably close focusing distance of just 24 cm. With similar high build quality to the EF-S 17-85mm f/4-5.6 IS USM, the EF-S 10-22mm f/3.5-4.5 USM includes a Super UD (ultra-dispersion) glass lens and two aspherical elements in its 13 element, 10 group construction. The non-rotating front element makes it ideal for use with filters such as polarizing and graduated, both of which are popular for the type of landscape photography for which the lens is suited.

EF-S mount

Both lenses feature Canon EF-S lens mount, matched to the EOS 20D and EOS 300D digital SLRs. The APS-C sized sensor of these cameras results in an effective multiplication factor of 1.6x the indicated focal length. While this creates an obvious advantage for telephoto lenses, it is less beneficial when meeting wide-angle requirements. To meet the needs of the new digital photographers, Canon developed the wide-angle EF-S lens mount. The EOS 20D and EOS 300D are both completely compatible with all existing EF lenses, while EF-S lenses only fit these two cameras. Optimized for Digital SLRs with APS-C size sensors, the EF-S mount enables economic wide-angle solutions often required by advanced photographers. The “S” in the EF-S nomenclature stands for the term short back focus. This describes the system that allows the rear lens element of EF-S lenses to be positioned closer than normal to the image sensor of APS-C sensor cameras. A white lens mount index differentiates the lenses from other EF lenses, which retain their traditional red marking. A rear rubber ring prevents any damage in the event that an inadvertent attempt is made to mount the lenses on non-compatible cameras.

Fast auto-focus

The ring-type USM motors found in both lenses employ ultra-sonic frequency vibrations to drive focussing with unrivalled speed. Canon ring-type USM holds the lens with precision and accuracy, the instant it arrives at the correct focus point and without overshoot. To further improve accuracy and speed, the drive patterns of both lenses are tailored to specifically match that of the EOS 20D and EOS 300D. Both lenses also feature full-time manual focus override without risk of motor damage.

Appealing background blur

The lenses both incorporate an EMD (electromagnetic diaphragm), which employs an almost perfectly circular barrel aperture. This helps create an attractive, even background blur when the photographer minimises depth of field to isolate a subject.

Perfect for digital photography

By optimising lens coatings, Canon engineers have been effective in suppressing flare and ghosting, which are more prone to occur with digital cameras due to reflection off the image sensor. Coatings reduce reflections off the lens surfaces to deliver crisp, undistorted digital images with natural colour balance.

Distant linked flash

Both lenses include new distance metering information, providing compatibility with the E-TTL II flash system of the EOS 20D. When used in conjunction with Canon range of EX Speedlite flash units, this allows for markedly improved flash exposure metering. An optional lens hood accessory is available for both lenses. In harmony with the environment In keeping with Canon stringent environmental policy, only lead free glass is used in the lens optics.

Canon EF-S 10 -22 mm lens specifications

Body material	Magnesium alloy
Sensor *	• 36 x 24 mm CMOS sensor • Full 35 mm size frame • RGB Color Filter Array • Built-in fixed low-pass filter (with self-cleaning unit) • 22.0 million total pixels • 21.1 million effective pixels • 3:2 aspect ratio
Lenses	• Canon EF lens mount (does not support EF-S lenses) • No field of view crop (1.0x)
Dust reduction	• “EOS Integrated Cleaning System” • Self-cleaning sensor unit (filter in front of sensor vibrates at high frequency at start-up and shutdown – can be disabled) • Dust Delete Data – Data from a test shot is used to ‘map’ dust spots and can be later removed using Canon DPP Software
Image processor *	DIGIC 4
A/D conversion	14 bit
Image sizes (JPEG) *	• 5616 x 3744 (21.0 MP) • 4080 x 2720 (11.1 MP) • 2784 x 1856 (5.2 MP)
Image sizes (RAW) *	• 5616 x 3744 (21.0 MP) • 3861 x 2574 (10.0 MP) • 2784 x 1856 (5.2 MP)
File formats *	• RAW (.CR2; 14-bit) • JPEG (EXIF 2.21) – Fine / Normal • RAW + JPEG (separate files) • sRAW1, sRAW2 (see above) *
Auto focus	• 9-point TTL CMOS sensor • 6 “Invisible Assist AF points” • Centre point cross type F5.6 or faster • Center point additionally sensitive with lenses of F2.8 or faster • AF working range: -0.5 – 18 EV (at 23°C, ISO 100)
Focus modes	• One shot AF • AI Servo AF • AI Focus AF • Manual focus
AF micro adjustment *	• Adjust all lenses by same amount (effectively body adjustment) • Adjust up to 20 lenses individually
AF point selection	• Auto • Manual
Predictive AF	• As close as 8 m (with 300 mm F2.8L lens at 50 kph)
AF assist	No (only with external flash)
Metering	• TTL full aperture metering 35 zone SPC • Metering range: 1.0 – 20 EV
Metering modes	• Evaluative 35 zone (linked to any AF point) • Partial (8% at center) • Spot metering (approx. 3.5% at center) • Center-weighted average
AE lock	• Auto: One Shot AF with evaluative metering • Manual: AE lock button
Exposure compensation	• +/-2.0 EV • 0.3 or 0.5 EV increments
Exposure bracketing	• +/- 2.0 EV • 0.3 or 0.5 EV increments
Sensitivity *	• ISO 100 – 6400 • 0.3 or 1.0 EV increments • Auto ISO (100-3200) • Expansion options: ISO 50 (L1) ISO 12800 (H1) ISO 25600 (H2)
Shutter	• Focal-plane shutter • 150,000 exposure durability • 30 – 1/8000 sec • 0.3 or 0.5 EV increments • Flash X-Sync: 1/200 sec • Bulb
Aperture values	• F1.0 – F91 • 0.3 or 0.5 EV increments • Actual aperture range depends on lens used
White balance	• Auto • Daylight • Shade • Cloudy • Tungsten • Fluorescent • Flash • Custom • Kelvin (2500 – 10000 K in 100 K steps)
WB bracketing	• +/-3 levels • 3 images • Blue / Amber or Magenta / Green bias
WB shift	• Blue (-9) To Amber (+9) • Magenta (-9) to Green (+9)
Picture style	• Standard • Portrait • Landscape • Neutral • Faithful • Monochrome • User def. 1 • User def. 2 • User def. 3
Custom image parameters	• Sharpness: 0 to 7 • Contrast: -4 to +4 • Saturation: -4 to +4 • Color tone: -4 to +4 • B&W filter: N, Ye, Or, R, G • B&W tone: N, S, B, P, G
Image processing options *	• Highlight tone priority • Auto lighting optimizer (4 settings) • Long exposure noise reduction • High ISO noise reduction (4 settings) • Auto correction of lens peripheral illumination (vignetting)
Color space	• sRGB • Adobe RGB
Viewfinder *	• Eye-level pentaprism • 98% frame coverage • Magnification: 0.71x (-1 diopter with 50 mm lens at infinity) • Eyepoint: Approx. 21 mm • Interchangeable focusing screen (3 other types optional) • Dioptric adjustment: -3.0 to +1.0 diopter
Mirror	• Quick-return half mirror (transmission:reflection ratio 40:60) • Mirror lock-up (once or multiple exposures)
Viewfinder info *	• AF information: AF points Focus confirmation light • Exposure information: Shutter speed Aperture value ISO speed (always displayed) AE lock Exposure level/compensation Spot metering circle Exposure warning AEB • Flash information: Flash ready High-speed sync FE lock Flash exposure compensation • Image information: White balance correction CF card information Monochrome shooting Maximum burst (2 digit display) Highlight tone priority (D+)
LCD monitor *	• 3.0 ” TFT LCD • 920,000 pixels • Automatic 3 level brightness adjustment plus 7 manual levels • 170 ° viewing angle • Dual anti-reflection (‘Clear View’)
LCD Live view *	• Live TTL display of scene from CMOS image sensor • 100% frame coverage • 30 fps • Real-time evaluative metering using CMOS image sensor • Best view or exposure simulation • Silent mode • Grid optional (x2) • Magnify optional (5x or 10x at AF point) • Three AF modes – Live mode / Quick mode / Face Detection • Live histogram (Luminance or RGB) • Remote live view using EOS Utility 2.0 (via USB or WiFi/Ethernet using WFT)
Movie recording *	• Available optionally during Live view mode • 1920 x 1080 (16:9) up to 12 mins (Quicktime 1080p H.264; 38.6 Mbits/sec) • 640 x 480 (4:3) up to 24 mins (Quicktime 480p H.264; 17.3 Mbits/sec) • Max file size 4 GB • Quicktime MOV format (H.264 video, PCM sound) • 30 fps
Record review	• Off • On (histogram via INFO button) • Display mode same as last used Play mode • 2 / 4 / 8 sec / Hold
Playback modes	1. Single image with exposure, file number, storage slot 2. As 1 but also image count and quality 3. Detailed exposure information, thumbnail and luminance histogram 4. Less detailed exposure info., thumbnail, luminance and RGB histograms
Playback features	• Optional blinking highlight alert • Optional AF point display • Magnified view (up to 10x) • 2×2 or 3×3 thumbnail index • Jump (by 1, 10, 100 images, screen, date, folder, movies, stills)* • Delete / Protect
Flash	• No built-in flash unit • E-TTL II auto flash / metered manual • Flash compensation +/-2.0 EV in 0.3 or 0.5 EV increments • X-Sync: 1/200 sec • Hot-shoe & PC Terminal
External flash	• E-TTL II auto flash with EX-series Speedlites • In-camera flash configuration (currently only 580 EX II) • Wireless multi-flash support • PC Sync
Shooting modes	• Auto • Creative Auto * • Program AE (P) • Shutter priority AE (Tv) • Aperture priority AE (Av) • Manual (M) • Custom 1 • Custom 2 * • Custom 3 *
Drive modes	• Single • Continuous: 3.9 fps * • Self-timer: 2 or 10 sec (2 sec with mirror lock-up)
Burst buffer	• Large/Fine JPEG: 78 frames (310 with UDMA card) * • RAW: 13 frames *
Orientation sensor	Yes
Auto rotation	• On (recorded and LCD display) • On (recorded only) • Off
Custom functions *	25 custom functions with 71 settings in 4 groups
Menu languages *	• 25 Languages • English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Romanian, Ukrainian, Turkish, Arabic, Thai, Simplified Chinese, Traditional Chinese, Korean and Japanese
Firmware	User upgradable
Portrait grip	• Optional WFT-E4 (WiFi / LAN / USB mass storage) • Optional BG-E6 battery grip
Connectivity *	• USB 2.0 Hi-Speed • AV out (video & audio *) • HDMI connector * • Microphone input * • PC Sync flash terminal • Communication terminal on base for WFT-E4 • InfraRed *
Storage *	• Compact Flash Type I or II (inc. FAT32) • Supports UDMA cards * • Copyright metatag support • Canon Original Data Security Kit supported (“Original Image Data”)
Power *	• Lithium-Ion LP-E6 rechargeable battery (supplied & charger) • CR1616 for date & settings • Approx. 850 shots at 20°C • Battery indication 6 levels & percentage (memorized)
Dimensions *	152 x 114 x 75 mm (6.0 x 4.5 x 2.9 in)
Weight *	• No battery: 810 g (1.8 lb)
Accessories	• Viewfinder: Eyecup Eb, E-series Dioptric Adjustment Lens with Rubber Frame Eb, Eyepiece Extender EP-EX15, Focusing Screens Eg, Angle Finder C • Wireless File Transmitter WFT-E4 • Battery Grip BG-E6 • All EF lenses (excludes EF-S lenses) • Canon Speedlites (220EX, 380EX, 420EX, 430EX, 430EX II, 550EX, 580EX, 580EX II, Macro-Ring-Lite, MR-14EX, Macro Twin Lite MT-24EX, Speedlite Transmitter ST-E2) • Remote control with N3 type contact, Wireless Controller LC-5, Remote Controller RC-1, Remote Controller RC-5 • Original Data Security Kit OSK-E3

* Changes or additions compared to the EOS 5D

EOS 450D

12.2 Megapixel CMOS sensor

The 12.2 Megapixel CMOS sensor gives you plenty of detail for poster-size prints and extra flexibility when cropping. Sensitive in low light and virtually noise-free, Canon’s CMOS sensors are also remarkably power-efficient.3.5 fps shooting The EOS 450D captures up to 3.5 frames per second for a continuous burst of up to 53 large JPEG images (6 in RAW). 9-point wide-area AF, The 9 AF points are spread out across the frame to better accommodate off-centre subjects. The central AF point is a high sensitivity cross type sensor for quick, accurate focusing with f/2.8 and faster lenses. The EOS 450D blends uncompromising performance with ease of use in a lightweight, ergonomic body.

EOS Integrated Cleaning System

Canon’s built-in dust prevention system uses three methods to keep images blemish-free. (1) Specialised materials reduce dust generation within the camera. (2) A Self-Cleaning Sensor Unit shakes dust from the sensor each time the camera is turned on or off. (3) Stubborn dust spots are mapped for easy removal in Digital Photo Professional. 3.0” LCD with Live View mode The bright 3.0” LCD provides sharp definition for checking focus and composition, with 10x magnification for finer details. When shooting from awkward positions, Live View mode gives you the option of framing the image from the LCD, and a choice of focussing modes. Renowned for its white balance accuracy, DIGIC III renders colours with brilliant, true-to-life precision. Captured images are processed in 14-bit colour depth for finer tonal gradations. DIGIC III works efficiently to minimise power consumption while maintaining ultra-fast response times.

Total image control

Gain easy control over image processing parameters with Picture Style presets. Contrast, sharpness and saturation can be customized in-camera or through the supplied Picture Style Editor software. After the shoot, Canon’s RAW processing software Digital Photo Professional provides everything you need to manage and process your RAW images. Compact and lightweight, Ergonomically designed for natural and intuitive handling, the EOS 450 is housed in a compact body that weighs in at just 475 grams. EF lenses and accessories, The EOS 450D is compatible with over 60 EF/EF-S lenses and all EX Series Speedlite flash units. Large, bright viewfinder, A large viewfinder gives a bright and clear view for easy composition of the scene. Capture your world with a 12.2 Megapixel CMOS sensor and the very latest Canon technologies.

Canon has now responded to this mounting pressure by launching a new model one tier below the 450D in its current lineup – the EOS 1000D. It shares bits and pieces with Rebels gone by and, depending from which angle you look at it, the new model is either a stripped down 450D or a ‘reheated’ 400D. It’s a lower specification camera than the 450D, by every measure you might see listed on the shop shelf, but is not the huge step down that its market positioning might lead you to expect. On the next page of this review you’ll find a detailed comparison between the 1000D, 450D and 400D but the headlines are; a 10MP sensor, 2.5 in LCD monitor, 7-point AF system and no spot-metering (like the 400D) but gaining Live View with both phase- and contrast-detect AF, SD/SDHC for storage and a control and menu layout that is pretty much identical to the EOS 450D’s. In fact, because it’s based around the same Digic III processor, it shares an interface with almost every current Canon DSLR all the way up to the 1DsMkIII.

Note that throughout this preview we will refer to the EOS 1000D by its European name; if you live in other parts of the world you’ll know the camera by Rebel XS or Kiss F Digital, but they’re all essentially the same camera.

With the lightest body of any digital EOS camera, the EOS 1000D incorporates a range of technologies used in Canon’s professional EOS-1 series cameras, including the DIGIC III image processor, and Live View mode. For straight-from-the-box shooting, the EOS 1000D is available with a Canon EF-S 18-55mm IS lens – which includes 4-stop image stabilisation, ensuring superb performance even in low-light conditions.

“The EOS 1000D is a small camera with a big idea: the supreme adaptability and image quality of the EOS system, in an accessible, affordable package,” said Mogens Jensen, Head of Canon Consumer Imaging Europe. “For anyone ready to take the next step in creative photography, it offers the perfect entry point to the world of D-SLR.”

Features

Designed to deliver more

As with all EOS models, key components for the EOS 1000D are designed and manufactured in-house to work with each other for the ultimate image quality. A 10.1 Megapixel CMOS sensor – with larger pixels for smooth, low-noise images – offers sufficient resolution to produce prints in sizes up to A4, even when cropping your image. To protect images against the effects of sensor dust, the EOS 1000D includes the EOS Integrated Cleaning System, which combats dust in three separate ways: reducing, removing and repelling.

The EOS 1000D also features a DIGIC III image processor, as used in Canon’s professional D-SLR models. This allows continuous shooting until the SD or SDHC memory card is full, at speeds of up to 3fps – with the number of shots limited only by the size of the card. DIGIC III also delivers superior image rendering, rapid operation and virtually instant start-up times.
Intelligent focus and flash.

For shots where fast focusing is needed, the EOS 1000D features a 7-point wide area Auto Focus system, capable of locking onto a subject in a fraction of a second. A cross-type central focus point continues to operate effectively even when used in lower-light and lower-contrast settings. Also included is E-TTL II, Canon’s distance-linked flash exposure system found in professional EOS models.

Effortless ease

Weighing just 450g, the EOS 1000D is Canon’s lightest D-SLR to date, with a compact, ergonomic body designed for comfortable handling. A bright 2.5” LCD screen lets users instantly review images for composition, sharpness and focus – or, thanks to a wide viewing angle, instantly share shots with friends. The LCD also provides access to a fast, easy-to-read menu system, which uses tabs to avoid unnecessary scrolling. Inherited from the latest EOS models, the menu system includes direct control over external devices such as Speedlite flash units.

Canon EOS 1000D /Rebel XS/ Kiss F Specifications